Collection includes all studio albums in original and expanded remastered editions, also includes compilation 'Catch The Breeze'.
Mixing well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms, Vampire Weekend grew from one of the first bands to be championed by music bloggers into a chart-topping, Grammy Award-winning act that helped define the sound of indie music in the late 2000s and 2010s. After establishing the foundations of their bright, intricate style with 2008's Vampire Weekend, the band soon became hugely successful; they're the first indie rock act to have two consecutive albums (2010's Contra and 2013's Modern Vampires of the City) enter the Billboard 200 at number one. With each release, Vampire Weekend's music grew more diverse, incorporating ska, hip-hop, and '80s pop influences that nevertheless complemented their signature style. Similarly, the band weathered the loss of founding member Rostam Batmanglij to deliver some of their most polished and ambitious work with 2019's Father of the Bride, their third chart-topper.
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…
Charming Hostess is a whirl of eerie harmony, hot rhythm and radical braininess. Our music explores the intersection of text and the sounding body– complex ideas expressed physically, based on voice and vocal percussion, handclaps and heartbeats, sex-breath and silence. We live where diasporas collide, incorporating piyyutim and Pygmy counterpoint, doo-wop and niggunim, work songs and Torah chanting. The texts speak of mysticism and sex; angels and demons; and the trials and joys of love and sex…
There's no arguing his sincerity when Trever Keith bellows "I don't want this to end!" to finalize Three Chords and a Half Truth. Face to Face started in the early '90s, opening for bands like the Offspring and the Mighty Mighty Bosstones, and yet they continue to go strong. After a few minor road bumps, for the 2010s they have managed to release an album every year, and for their 2013 outing the energy is still fully intact. Aside from some weightier production, there isn't much to separate the sound of the band from the early days, and that's a good thing.