Modern 20

Before the world even had a chance to hear the Modern Lovers, Jonathan Richman had already moved on. Richman founded the group in 1970 with bandmates who would go on to acts like the Cars and the Talking Heads, and in the early '70s, they recorded some truly electric demos that would help define a sound later understood as punk. These recordings wouldn't see wide-scale release until long after the first iteration of the band broke up, and by the time of Jonathan Richman & the Modern Lovers, Richman had dropped the angst and anxiety of his proto-punk beginnings in favor of a far friendlier, quieter, and more innocent style. Ironically, the 1976 debut album of Richman's revamped, gentler Modern Lovers arrived just one month before the proper release of the earlier version of the band's recordings, emphasizing how drastic of a change had occurred. While the raw excitement of the early pre-punk Modern Lovers was groundbreaking, there's an equally revelatory quality in the softness and vulnerability of what followed.

SOne of the first Modern Jazz Quartet albums on Atlantic - a 1957 set that finds the crew in one of their freshest periods - laying down their soon-to-be trademark style in a fashion that warrants the self-titled tag! The set kicks off with a stellar medley of standards, all given the tight MJQ touch! The crew strolls through "They Say It's Wonderful", "How Deep Is The Ocean", "Body And Soul" and more in that 10 minute stretch. Other album highlights include the drum-heavy "La Ronde", a sweet reading of "Night In Tunisia", "Baden Baden", "Bag's Groove" and "Yesterdays".

One of the first Modern Jazz Quartet albums on Atlantic - a 1957 set that finds the crew in one of their freshest periods - laying down their soon-to-be trademark style in a fashion that warrants the self-titled tag! The set kicks off with a stellar medley of standards, all given the tight MJQ touch! The crew strolls through "They Say It's Wonderful", "How Deep Is The Ocean", "Body And Soul" and more in that 10 minute stretch. Other album highlights include the drum-heavy "La Ronde", a sweet reading of "Night In Tunisia", "Baden Baden", "Bag's Groove" and "Yesterdays".

This box is a musical treat for all jazz fans, as no less than 20 original albums by the Modern Jazz Quartet are released here on ten CDs…

Long considered one of, if not the classic album from the Modern Jazz Quartet, European Concert defines them simultaneously as a recording entity as well as a working band. MJQ presented jazz in the context of a formally structured environment, much like a chamber group in the classical context. Within the band, the groove of Milt "Bags" Jackson's vibes met the solid swing of Connie Kay's drums, the funky strut of Percy Heath's bass, and the elegant classicism of John Lewis's piano. The MJQ were able, in a context that pushed at jazz's boundaries from the outside, to create a music that swung without edges or fragmented harmonic structures. Instead - as this album perhaps more than any of their studio recordings exemplifies - they used concepts of time, space, meter, rhythm, and changes to weave together a seamless whole, where melody grounded the improvisation but never really restricted it…

Volume 2 of a double-length live set from the legendary Modern Jazz Quartet - recorded in Scandinavia in 1960, almost as a summation of the group's growing genius in the 50s! The tunes are a mix of John Lewis and Milt Jackson originals, plus other songs all given the wonderful MJQ twist - distilled into a sublime blend of piano, vibes, bass, and drums - all delivered with a sense of class, but never too much polish.