Modern Romance

This is an MJQ album that, for most fans, is somewhat off the beaten path. At a time when they had left Apple Records to return to Atlantic, and when fusion was just getting started, the group incorporate more Brazilian music in the mix, and John Lewis plays Fender Rhodes electric piano on two tracks. While their laid-back, mellow, chamber-like sound is very much intact, the rules of sonic preparation had changed, and the band followed in kind. Drummer Connie Kay even adds a bit of R&B funk to the proceedings, as on the chunky opener and title track, which is very atypical for the group. One of two Lewis originals, "Valeria" is a light bossa nova, energized as it goes along, while the absolute beauty of "Romance" is marinated in waltz pace with accenting cymbal zings - the perfect candlelight-and-wine dinner music…

Latvian hard rockers Bloody Heels have announced their return with a new studio album, "Rotten Romance" on June 10, 2022. “Rotten Romance”, their third album overall, follows their Frontiers debut, "Ignite The Sky" (2020). While the band still shows nods to the great ‘80s hard rock scene in their sound, the new album presents a stylistic leap from the band that is delightfully unexpected and welcome. Not content to be stagnant in their musical approach, Bloody Heels have pushed their sound forward, proving that innovation within the confines of a genre is always possible when the will to push through barriers exists.

Christmas came early in 1971; in May, Atlantic released Plastic Dreams, the penultimate studio album from the Modern Jazz Quartet during their main, 22-year run as an ensemble. Of the MJQ's albums, Plastic Dreams has never been a critic's favorite, and was an album that mystified many of the group's longtime followers. First was the gatefold front cover, which featured a "plastic" image of a nude woman that was really pushing the envelope by 1971 standards; it was almost "indecent." Second, the liner notes by arch-New York jazz critic Martin Williams, while appreciative, really made you wonder if Williams was listening to the same album you were…

The French oboist Gabriel Pidoux, voted ‘Instrumental Soloist of the Year’ at the Victoires de la Musique Classique in 2020, has made a name for himself in both early and modern repertories. He now records his first solo album, accompanied by the pianist Jorge González Buajasan. It presents the works of two female and three male composers, beginning with Robert Schumann’s Three Romances, a masterpiece of chamber music with oboe, which Gabriel Pidoux has decided to juxtapose with the Three Pieces of Leopold Wallner (1847-1913), magnificent works which have never been recorded. Also on the programme is a transcription of Clara Schumann’s Three Romances . ‘These are pieces from the heart, which set the Romantic tone’, writes Gabriel Pidoux.