Mon Sang

The Belmonts are an American doo-wop group from the Bronx, New York, that originated in the mid-1950s. The original group consisted of Fred Milano, Angelo D'Aleo, and Carlo Mastrangelo. They took their name from Belmont Avenue, the street Milano lived on. There were several stages in their history, including the 1958–1960 period with Dion DiMucci, when the group was named Dion and the Belmonts. At this time Mastrangelo sang the bass parts, Milano the second tenor, D'Aleo the falsetto, and DiMucci did lead vocals. With Dion they scored such hits as 'A Teenager in Love' (No 5) but this was a short relationship & after Dion went solo, they continued to gain hits with such songs as 'Tell Me Why' (No 18), 'Come on Little Angel' (No 28)…

Bland, incurious and passionless, this documentary about the great tenor Luciano Pavarotti is like a promotional video licensed by a team of copyright lawyers – and about as challenging as a Three Tenors gig at Wembley stadium. Pavarotti’s glorious voice all but drowns in a 114-minute montage of obsequious syrup…

Elisabeth Rethberg, one of the leading sopranos of her era, enjoyed a sterling career at the Metropolitan Opera. During her 20 years at the Met, Rethberg sang 350 performances of 29 different roles in the House and on tour. A survey of these roles indicates the breadth and variety of Elisabeth Rethberg’s repertoire, spanning the works of Mozart to the contemporary operas of her day. Rethberg was equally adept in Mozart, Verdi, Wagner, and Puccini and his fellow verismo composers. Rethberg also numbered among her roles several heroines in French grand opera (Rossini’s GUILLAUME TELL, Meyerbeer’s L’AFRICAINE, Gounod’s FAUST, and Halévy’s LA JUIVE).

France's first and only full-fledged rock star, Johnny Hallyday was still a distinctly French phenomenon, never achieving worldwide recognition (partially because a good chunk of his repertoire consisted of French-language covers of early American rock hits). Other French artists may have been influenced by rock & roll, but none was as beholden to the original sources, or as enduringly successful, as Hallyday.

Félicien David was already famous through his 'ode-symphonie' Le Désert (1844) when his opera Herculanum was first staged at the Paris Opéra in 1859. This ambitious work, later to gain him entrance to the Opéra-Comique and the Institut de France, also played a part in earning him the Légion d'Honneur. Leaving behind the Middle Eastern inflections of his earlier scores, Herculanum is a remarkably strong composition (vast, intensely dramatic scenes), impressive in the diversity of its style (including Verdian influences) and its vocal variety (including the rare coloratura contralto voice often used by Rossini).