Monkey House

In the military, Granville entertained his buddies as he played his guitar. One of the songs that McGhee was best known for was “Drinkin’ Wine, Spo-Dee-O-Dee“.
In their first Atlantic session “Stick and his Buddies”, comprising of brother Brownie ,Wilbert “Big Chief” Ellis ,Gene Ramsey and an unknown drummer (possibly Gene Moore) cut six tracks (Tall Pretty Woman Blues was released) on Valentine’s day 1949. The band was in quite good form, having practised Drinking Wine over and Over again and Granville’s writing style and performances were versatile. He could move effortlessly from proto rock and roll to somewhat unpolished crooning jazz styling and of course he was a fine blues performer…

With this album we are once again in the 'Koko-Mojo Original' series. The compiler is still Little Victor aka 'The Mojo Man' and again he selected 28 tracks.

A MASTERPIECE PROGRESSIVE MUSIC
Oh yeah … what do you expect more from a progressive music album if the musicians offer you with a music which has a balanced between complexity and harmony yet it’s adventurous in nature? Well, this is the case with this album. Even though this album was released too soon after their previous release “The Rainmaker” (2001) this follow-up album still have the same excellent quality as its predecessor.

Whirl-Y-Waves Vol. 1 (1996). Whirl-Y-Waves Vol.1. is the first double CD compilation from Whirl-Y-Gig, compiled and mixed by DJ Monkey Pilot. Featuring a wealth of rare classic tracks, disc one takes you on a journey through a typical whirly club night experience, whilst disc 2 is a collection of ambient, downtempo parachute tracks.
Whirl-Y-Waves Vol. 2 (2000). Following on from the ground breaking Whirl-Y-Waves compilation of ’96, Volume 2- Global Grooves comes closer than ever to capturing that unique whirly vibe. Designed as one continuous listening experience, you can glide effortlessly between the enlivening Hot One and the relaxing Chill Too…

Glenn Hughes has always seemed to surround himself with the greatest guitarists and drummers of rock, including Ritchie Blackmore, Tommy Bolin, Ian Paice, Tony Iommi, and Kenny Aronoff. And on his 2006 solo outing, Music for the Divine, the string of strong supporting players remains intact, as Hughes is joined by a pair of current Red Hot Chili Peppers – guitarist John Frusciante and drummer Chad Smith – and an ex-Pepper, Mr. Hollywood himself, Dave Navarro. Music certainly has a funkier edge than, say, the last few releases Hughes has collaborated on with Iommi, but this should certainly not come as a surprise to longtime fans, as his funk roots trace all the way back to his Deep Purple-era releases. Arguably, he has not played alongside musicians as fluent with the funk as his fellow travelers here, especially on the leadoff single, "The Valiant Denial," which rocks and slithers the way only a Peppers groove can. The funk continues on such selections as "Monkey Man," but just when you think you have it all figured out, Hughes and company hand in a surprise reading of, um, "Nights in White Satin." All in all, Music for the Divine is another fine release from one of rock's great (and criminally underrated) voices.