Monkey on a Stick

Drummer Bruce Cox met Rodney Jones in 1986 who introduced him to Fred Wesley which led to gigs and recordings with Fred Wesley, Maceo Parker and Pee Wee Ellis. In 1993 he completed his debut recording entitiled "STICK TO IT "released in Europe 1996 and USA 1997. 24 years later Bruce is still a part of the backing group now featuring Fred Wesley & The New J.B.'s. '

An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. Raised by parents firmly rooted in their rural Kentucky background, at age 14 Prine began learning to play the guitar from his older brother while taking inspiration from his grandfather, who had played with Merle Travis. After a two-year tenure in the U.S. Army, Prine became a fixture on the Chicago folk music scene in the late '60s, befriending another young performer named Steve Goodman…

2014 marks the 45th Anniversary of the launch of the Invictus, Hot Wax and Music Merchant labels – the trio of labels that Brian Holland, Lamont Dozier and Eddie Holland launched following their acrimonious split from Berry Gordy’s Motown Empire. Since the 45rpm record was the fulcrum of the new operation, we thought this would be the perfect excuse to celebrate the 45th anniversary by pulling together every single 45 release from the discography of Invictus, Hot Wax and Music Merchant - both A and B sides. That’s 96 x Invictus 45s, 44 x Hot Wax 45s and 17 x Music Merchant 45s – 157 singles and 269 original recordings total.

This eight-CD set should be a part of any collection that presumes to take American music - not just rock & roll or rhythm & blues - seriously. Atlantic Records was one of dozens of independent labels started up after the war by neophyte executives and producers, but it was different from most of the others in that the guys who ran it were honest and genuinely loved music. Coupled with a lot of luck and some good judgment, the results trace a good chunk of the history of American music and popular culture. Disc one opens with cuts which slot in somewhere midway between jazz, bop, and "race" music (as the term was used then). Disc two is pure, distilled R&B, the stuff filling the airwaves of black radio and the jukeboxes in the "wrong" parts of town in 1952-54….