Marilyn Monroe was not much of a recording artist per se, but she sang in many of her motion pictures. This European two-CD set presents dialogue and musical performances drawn directly from the soundtracks to the movie musicals Ladies of the Chorus, Gentlemen Prefer Blondes, The River of No Return, and There's No Business Like Show Business. She also sings briefly in non-musicals Niagra, Bus Stop, and The Prince and the Showgirl, plays "Chopsticks" in The Seven Year Itch, and exchanges witticisms with Groucho Marx in Love Happy; and there are a few stray non-movie song recordings. The second half of the second disc is taken up by miscellaneous recordings, not all of them musical, including a TV commercial, the presentation of several awards (she says, "Thank you"), radio sketches with Edgar Bergen and Jack Benny, and Monroe's appearances in Korea (singing "Diamonds Are a Girl's Best Friend") and at the 1962 birthday party for President Kennedy at which she sang "Happy Birthday".
29-track, 2-CD remastered career spanning set from MICHAEL MONROE. Icon, song-writer and one of rock's most celebrated front-men since 1979 when he played a central role in Hanoi Rocks - legendary Finnish glam-punk heroes. Previously unreleased songs include It's A Lie', with Stiv Bators (Dead Boys) `Fist Fulla Dynamite', `Simpletown', the new single `One Foot Outta The Grave' & a never-before-released 2nd version of the Steppenwolf cover 'Magic Carpet Ride' feat. Slash.
Original 1950s Decca recordings by the Father of Bluegrass (including eight of his most famous songs), plus a 1984 duet with Ricky Skaggs.
Any time two greats who admire each other and are musically compatible team together, the results are usually mutually beneficial. That was true for Bill Monroe and Doc Watson, whose spirited union on this 17-song disc is a sampler of American musical styles. They ripped through bluegrass, folk, blues, spirituals, mountain tunes, work songs, reels and breakdowns. Monroe's mandolin and Watson's guitar playing were masterful, wondrous and performed without any trace of self-indulgence. Their vocals were also delivered with ease, fluidity and conviction, the product of two performers completely at ease with themselves and only interested in spotlighting the material.