Monterey Festival

This is a UK four CD repackaging of this excellent box set. Over a single weekend in June 1967, Monterey entered history as the very first rock festival. The paucity of official releases over the intervening years led to Monterey–like the Rolling Stones' Rock & Roll Circus–becoming as much a figment of rock & roll myth as hard fact. Finally though, in 1994, the British company Castle Communications put together this beautifully assembled 4 CD box set. Unfortunately, some acts (Simon & Garfunkel, Grateful Dead)–perhaps feeling their performances were below-par–refused to license their material. But with over four hours of music, this set still presents a vivid snapshot of the event. For once, the packaging is as important as the music: a booklet is bound in, complete with memorabilia, previously unpublished photos, and first-hand reminiscences from performers like David Crosby, Dennis Hopper, Steve Miller, Eric Burdon and John Phillips.

This is a UK four CD repackaging of this excellent box set. Over a single weekend in June 1967, Monterey entered history as the very first rock festival. The paucity of official releases over the intervening years led to Monterey–like the Rolling Stones' Rock & Roll Circus–becoming as much a figment of rock & roll myth as hard fact. Finally though, in 1994, the British company Castle Communications put together this beautifully assembled 4 CD box set. Unfortunately, some acts (Simon & Garfunkel, Grateful Dead)–perhaps feeling their performances were below-par–refused to license their material. But with over four hours of music, this set still presents a vivid snapshot of the event. For once, the packaging is as important as the music: a booklet is bound in, complete with memorabilia, previously unpublished photos, and first-hand reminiscences from performers like David Crosby, Dennis Hopper, Steve Miller, Eric Burdon and John Phillips.

This is a UK four CD repackaging of this excellent box set. Over a single weekend in June 1967, Monterey entered history as the very first rock festival. The paucity of official releases over the intervening years led to Monterey–like the Rolling Stones' Rock & Roll Circus–becoming as much a figment of rock & roll myth as hard fact. Finally though, in 1994, the British company Castle Communications put together this beautifully assembled 4 CD box set. Unfortunately, some acts (Simon & Garfunkel, Grateful Dead)–perhaps feeling their performances were below-par–refused to license their material. But with over four hours of music, this set still presents a vivid snapshot of the event. For once, the packaging is as important as the music: a booklet is bound in, complete with memorabilia, previously unpublished photos, and first-hand reminiscences from performers like David Crosby, Dennis Hopper, Steve Miller, Eric Burdon and John Phillips.

The Complete Monterey Pop Festival arrives on Blu-ray courtesy of Criterion. The three-disc set includes exclusive new video interviews with director D.A. Pennebaker and Lou Adler, producer of the Monterey International Pop Festival; vintage interviews; audio commentary; original promotional materials; archival interview with Pete Townshend; audio commentary by music critic and historian Charles Shaar Murray; two audio commentaries featuring music historian Peter Guralnick; and more.

This sampler is comprised of performances from several different Monterey Jazz Festivals, spanning 41 years. Some of the selections (those featuring Louis Armstrong, Miles Davis, Thelonious Monk, and Sarah Vaughan) were released elsewhere in the first batch in this series of previously unavailable Monterey performances. One can assume that the other seven songs will probably be in future releases. Just judged by itself, the most rewarding selections of this sampler are an inspired Thelonious Monk romp on "Rhythm-A-Ning," an excellent "Someday My Prince Will Come" by the Dave Brubeck Quartet, Joe Henderson's exploration of "Isotope," and Dizzy Gillespie's happy calypso "Poor Joe." Most of the other performances, including the 1963 Miles Davis Quintet on "Autumn Leaves" and Jimmy Witherspoon's humorous "S.K. Blues" have their moments of interest…

Miles Davis - Live At The 1963 Monterey Jazz Festival (2007) {Concord MJFR-30310}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 315 Mb | MP3 @320 -> 124 Mb
Full Artwork @ 300 dpi (jpg) -> 56 Mb | 5% repair rar
© 1963, 2007 Monterey Jazz Festival Records / Concord Music | MJFR-30310
Jazz / Hard Bop / Modal Music / Trumpet Jazz

This previously unreleased live album features Miles Davis on trumpet, George Coleman playing the tenor saxophone, Herbie Hancock on piano, Ron Carter playing bass and Tony Williams on drums. Produced by Jimmy Lyons, this album was recorded live at the Monterey Jazz Festival on September 22, 1963. All proceeds from this recording go to Monterey Jazz Festival-supported jazz education programs.

Sarah Vaughan was approximately three decades into her career when she stepped onto the stage at the Monterey Jazz Festival in September 1971 and still at the top of her game. Her voice swoops, sways and swings; it's a veritable roller coaster of pitch, tone and tempo, and Vaughan is in complete control of her instrument at all times. The voice is weightier than it was during her early days, but having recently taken a few years off from recording it was primed and ready for the remarkable push Vaughan was prepared to give it. Backed by the very capable trio of Bill Mays on piano (Vaughan introduces him as Willie Mays), Bob Magnusson on bass and Jimmy Cobb on drums, Vaughan wastes no time showing why she always appears on the short list of jazz's greatest singers…

Jimi Plays Monterey is a posthumous live album by Jimi Hendrix. The album documents The Jimi Hendrix Experience's performance at the Monterey Pop Festival on June 18, 1967. As well as songs from the band's debut album Are You Experienced, Monterey also includes covers of "Killing Floor" (Howlin' Wolf), "Like a Rolling Stone" (Bob Dylan), "Rock Me Baby" (B. B. King) and "Wild Thing" (Chip Taylor). The version of "Wild Thing" on the album is one of the most notable live performances ever, as, in an iconic moment in rock history, he sets his guitar alight after the song and then smashes it.