Monty Alexander

This well-rounded set features Monty Alexander exploring his West Indian heritage by utilizing the steel drum of Othello Molineaux and performing both straightahead jazz and calypsos. The music is often quite joyous and even the more familiar material (such as "Work Song," "Stella By Starlight" and a medley of "Impressions" and "So What") sounds fresh. Whether it be the Milt Jackson blues "S.K.J." or the Crusaders' hit "Street Life," this is a very successful outing that is quite enjoyable.

Over his long recording and performing career, Monty Alexander has displayed an ability to excel with any jazz or related genre. From swing to bop and hard bop, from reggae to mainstream jazz, you name it and Alexander has done it and done it well. On his latest and fourth album for the Telarc label, the veteran pianist takes time to show his appreciation and gratitude to his adopted home, America, through a series of songs in honor of people and images that shaped his attitude toward this country, whether it be cowboy movies he used to see as a youngster in Jamaica or the impression made upon him by a variety of American performers, including Louis Armstrong, Nat King Cole, Marvin Gaye, James Brown, and others of like diversity…

The Jazz Club series is an attractive addition to the Verve catalogue. With it's modern design and popular choice of repertoire, the Jazz Club is not only opened for Jazz fans, but for everyone that loves good music.
Jamaican-born pianist Monty Alexander is a sophisticated, prolific performer with an urbane, swinging style informed by the bop tradition, as well as the reggae and Caribbean folk he grew up with. Born in Kingston, Jamaica in 1944, Alexander first started playing piano around age four and took classical lessons from age six. By his teens, however, he had discovered jazz and was already performing in nightclubs. Although his early career found him covering pop and rock hits of the day, it was his love of jazz-oriented artists like Oscar Peterson, Duke Ellington, Frank Sinatra, and Nat King Cole that brought him the most inspiration.

Jazz purists may turn up the nose at this jazz-reggae summit meeting, but that's their loss. It's not that they wouldn't have the right to be suspicious - experiments in jazz-reggae fusion do not have a distinguished history. But the combination of Jamaican-born jazz pianist Monty Alexander and reggae godfathers Sly Dunbar and Robbie Shakespeare works beautifully here for a number of reasons: first of all, Alexander is a gifted melodist with an unerring sense of groove (not always a given with jazz players), and second of all, Sly and Robbie emancipated themselves long ago from reggae's rhythmic strictures, so there's lots of variety on this album…