James Moody was an institution in jazz from the late '40s into the 21st century, whether on tenor, flute, occasional alto, or yodeling his way through his "Moody's Mood for Love." After serving in the Air Force (1943-1946), he joined Dizzy Gillespie's bebop orchestra and began a lifelong friendship with the trumpeter. Moody toured Europe with Gillespie and then stayed overseas for several years, working with Miles Davis, Max Roach, and top European players. His 1949 recording of "I'm in the Mood for Love" became a hit in 1952 under the title of "Moody's Mood for Love" with classic vocalese lyrics written by Eddie Jefferson and a best-selling recording by King Pleasure…
This package chronicles 30 years of Moddy Blues recordings. Track includes "Nights in White Satin," "Question," "The Voice," "I'm Just a Singer (In a Rock And Roll Band).
In need of rest and recuperation after suffering under the twin scourges of alcoholism and Benzedrine addiction, saxophonist James Moody backed away from the scene in 1948 and took off to stay with his uncle in Paris for a couple of weeks, only to remain overseas for three years, making great jazz records with some of Europe's finest young players. Volume four in the Classics James Moody chronology assembles all of the recordings he made for the Metronome and Vogue labels in Stockholm and Paris between January 24 and July 27, 1951. The opening tracks, culled from the Swedish portion of the survey, are greatly enhanced by the presence of baritone saxophonist Lars Gullin, a marvelous improviser whose tonalities blend beautifully with Moody's tenor…
April in Paris, 1950. James Moody is making records with a band led by trumpeter Ernie Royal. While two originals by Royal are based on textbook bop themes, Moody's own "Date With Kate" shows greater depth of invention. "Mean to Me" prances at a healthy clip and "Embraceable You" is presented as a slow-dance delicacy. Jumping to July of 1950, Moody leads his own "Boptet" through four remarkable exercises in modernity. Marshall "Red" Allen, who subsequently worked for decades with Sun Ra, is heard in Moody's band playing alto saxophone. These must be Allen's earliest appearances on record. "Delooney" surges ahead with peculiar chords that do in fact slightly resemble what Ra's Arkestra would be playing by 1957…
Esoteric Recordings are pleased to announce the release of a 50th Anniversary Remastered Edition of the debut album by The Moody Blues, "The Magnificent Moodies”.
Now associated as being pioneers of pro-gressive orchestral rock, the Moody Blues had another life between 1964-1966, as one of Britain’s finest Rhythm and Blues influenced acts. With a line-up of Denny Laine (Guitar, Vocals, Harmonica), Ray Thomas (Vocals, Harmonica, Flute), Mike Pinder (Keyboards, Vocals), Clint Warwick (Bass, Vocals) and Graeme Edge (Drums), the band signed to a London based management company who leased recordings to Decca Records. Their second single, a cover version of Bessie Banks’ ‘Go Now!’ was a huge chart success across the world. Their debut album, "The Magnificent Moodies” was released in1965 to great acclaim and tours with The Beatles eventually led them to become part of Brian Epstein’s management stable…