Moon

Moon Safari is a Swedish progressive rock group formed in Skellefteå, Sweden, in 2003. The band focuses on vocal arrangements in the style of Gene Puerling and they willingly surrender to the spirit of 60s rock, pop and progressive rock music, previously invoked by the Beatles, the Beach Boys and Yes.

Female blues singer and songwriter Zola Moon was born in San Jose, CA, but her powerful song stylings might mislead listeners to guess that she was raised in the Deep South of Louisiana or Mississippi on grounds better known for producing great blues artists. She is self-taught, though she does mention numerous musical influences, ranging from B. B. King and Muddy Waters to Hank Williams and Tina Turner. Even with all of those wonderful influences, Zola Moon has worked hard to keep her sound all her own. Lost in the BluesZola Moon began her career in blues about 1983, in the San Francisco area. After seven years of performing, which helped her grow a large fan base, she finally released a debut album in 1990. It was titled Dangerous Love and recorded under the BareMoon Records label. Five years later, and with a new label, she finished work on an enjoyable sophomore offering, Lost in the Blues. It was followed in 1998 by Almost Crazy and then in 2000 by Earthquakes, Thunder, and Smiling Lighting. Some of the original blues tunes fans can sample on Zola Moon's albums are "Doll House," "Lucky Me," "I Look at the Fool," "Imagination," "Alley Cat," "Hollywood to the Hood," and "I Don't Think So."

The New Moon Jelly Roll Freedom Rockers originated back in January 2007 when musician brothers Luther & Cody Dickinson sat down for a guitar jam with ex-Squirrel Nut Zippers leader Jimbo Mathus along with Blues Greats Charlie Musselwhite, Alvin Youngblood Hart and the late Memphis pianist, producer and all around musical stylist Jim Dickinson gathered for a recording under the group name of the New Moon Jelly Roll Freedom Rockers.

One of the more curious characters of the new wave movement, singer/guitarist/songwriter Moon Martin issued several critically acclaimed yet commercially underappreciated releases from the late '70s through the early '80s, before reappearing in the mid-'90s.