Morphing in Illustrator After Effects

Adobe After Effects CC Create stunning Motion Graphics, VFX Visual Effects & VFX Compositing with 50+ practice projects.

Learn After Effects motion graphic animation. After Effects CS6 and CC basics

Morph One Object To Another In This Project Based Course. Learn After Effects Tricks and Start To Master The Program

Mit diesem Video-Training bekommen Sie After Effects CS5 in den Griff. Markus Bledowski, Animationsexperte und Motion Graphics Designer, zeigt Ihnen anschaulich, wie Sie die Werkzeuge von After Effects CS5 bedienen und spannende Effekte und eindrucksvolle Animationen erstellen. Mit zahlreichen professionellen Beispielprojekten zum Mitmachen.

In this series of tutorials, we will talk about some of the different ways you can create and utilize shapes in After Effects. We will start by going over the basics of using the shape tools to make shape layers and the difference between parametric and Bezier paths. We'll explore the control we have over polygons and stars that can create an endless possibility of intricate shapes. We'll talk about using the add menu to create new shapes or add shape attributes to our shape layers. Next we'll import vector artwork from Illustrator and convert to shapes so that we can utilize the repeater. We'll tell a story with shape morphing and learn the importance of defining the first

There are some big advantages to using shape layers in After Effects: precise, fast rendering; compatibility with Illustrator; and smaller file sizes.

Tim Clapham returns with a brand new course aimed at motion graphic designers and animators. This term, it’s a bit of a departure from Clapham’s previous typical course structure as he will be taking you through the development and animation of a channel ident from the initial concept stage, right through to the final rendering and delivery part of the process. In a previous term at fxphd, members were invited to design a logo for a fictional TV channel. The chosen design is the logo we will be using for our ident.
The structure and workflow of this course will be similar to the typical studio workflow you would find when working on a real world production. Starting with design and concept, we then move on to discuss the shoot itself. Working with footage which was shot on the RED Epic, we will be choosing selects from our bin of clips and exploring various grade options within RED Cine. Next, we will take the selected clip into the animatic stage within Adobe After Effects, using this as a tool to block out our basic design and timing. Once the animatic is complete, the footage will be tracked and the 3D solution exported ready for match moving.