Of all the volumes in the Mosaic Select series, this one, and the Big John Patton box, are the most satisfying, though for very different reasons. This one is a true collector's gem. For starters, all but six of the 31 cuts on this three-CD box are previously unreleased. For Hill fans who knew there was more in the can, this is a most welcoming find. The material here was completely composed by Hill and was recorded in five sessions between 1967 and 1970. The pianist and composer is found in three different settings, from trio to sextet and septet with some octet sides. The personnel here varies, too. The sextet sessions feature Hill with Bennie Maupin, Pat Patrick, Charles Tolliver, Ron Carter, and either Paul Motian or Ben Riley on drums. These are the earliest cuts here and they are solid as solid can be.
Mosaic Select presents a limited edition containing all of the solo piano recordings made by Andrew Hill at the Fantasy studios in Berkeley, CA during August and October 1978. Only a fraction of this material – the first two titles on the third disc – had ever seen the light of day prior to this collection's release in the spring of 2007. Having operated throughout the '60s as an innovative composer, pianist and bandleader, Hill spent the first half of the following decade exercising his creativity by composing and instructing at Colgate University in Hamilton, NY, performing internationally, and making records for Freedom, East Wind and Steeplechase.
The original Chico Hamilton Quintet was one of the last significant West Coast jazz bands of the cool era. Consisting of Buddy Collette on reeds (flute, clarinet, alto, and tenor), guitarist Jim Hall, bassist Carson Smith, and the drummer/leader, the most distinctive element in the group's identity was cellist Fred Katz. The band could play quite softly, blending together elements of bop and classical music into their popular sound and occupying their own niche. This six-CD, limited-edition box set from 1997 starts off with a Hamilton drum solo from a 1954 performance with the Gerry Mulligan Quartet; it contains three full albums and many previously unreleased numbers) by the original Chico Hamilton band and also has quite a few titles from the second Hamilton group (which has Paul Horn and John Pisano in the places of Collette and Hall).
The Mosaic Select treatment has deservedly been given to Big John Patton. There are those who argue that Patton's entire catalog should have been the subject of a Mosaic box set proper. There was easily enough material for five, if not six, CDs. There are five albums collected here. His first three, Along Came John, The Way I Feel, and Oh Baby!, were recorded in 1963, 1964, and 1965, respectively. The last two on this set are That Certain Feeling and Understanding, from 1968. Missing are Blue John, his proper second album from 1963 and unreleased until 1986, Let 'Em Roll, and Got a Good Thing Goin', released in 1965 and 1966, and his post-1968 work, Accent on the Blues, Memphis to New York Spirit (unreleased until 1996), and Boogaloo.
The triple-disc Mosaic Select Series has been, in some ways, more rewarding than even its limited-edition box set collections. While these are numbered and limited as well, they tend to shine light either on artists who have never gotten their due, or those who, while certainly respected, have an entire pocket of their careers largely ignored for one reason or another. Some of the titles in this series make that quite clear: John Patton, Curtis Amy, Charles Tolliver, and long unreleased recordings by Andrew Hill, to name a few. Bobby Hutcherson is an excellent example. While his 1960s recordings are well known, most of his mid-'70s recordings have never been available on CDs.
Paul Chambers finally receives the Mosaic Select treatment and there's a surprise tossed in with his catalog for fans and connoisseurs: his material recorded for the Transition label. Also included on the Paul Chambers set are the albums Chambers' Music and Whims of Chambers from 1956 and Bass on Top and The Paul Chambers Quintet from 1957. Musicians on these dates ran the gamut from Elvin Jones to Donald Byrd, Clifford Jordan, Horace Silver, Kenny Burrell, Hank Jones, and Art Taylor – an overwhelming number of fellow Detroiters. There are some other odds and ends as well, but most importantly, the Transition material will be of prime interest to John Coltrane fans.