Moser

Oh, not another Dvořák Cello Concerto recording, you would be justified in asking. Well, yes and no. This is indeed a special one, but not only for the superb performance the German-Canadian cellist Johannes Moser gives with the Prague Philharmonia under Jakub Hrůša of this most popular of all cello concertos. What makes this disc practically indispensable is its inclusion of the less frequently heard Lalo concerto in the best account I have heard since Pierre Fournier recorded it many years ago with Jean Martinon and the Lamoureux Orchestra for DG.

Contemporary composer Fernando Velázquez presents Viento, together with the Basque National Orchestra, the choir Kup Taldea and international star cellist Johannes Moser. After multiple international successes as a film composer, Viento shows Velázquez’s skill in genres such as the symphonic poem, cantata and cello concerto. The album opens with his cello concerto, which combines an elegiac, Stabat Mater-like opening movement with a heroic, rock-inspired middle movement and a finale that employs the Basque Zortziko dance rhythm. Moser’s masterly interpretation brings out all the colours and episodes of this exceptional score.