On Hub Cap, his third effort as a leader, Freddie Hubbard sticks to the tried-and-true hard bop formula, which is something of a mixed blessing. There's no question that much of this music is enjoyable, but it's not quite up to the standards of its two predecessors…
This two-fer from Collectables features a pair of out-of-print Percy Faith LPs, Subways Are for Sleeping and Do I Hear a Waltz, originally issued in 1961 and 1965, respectively. The flowing combination of these Broadway scores, by Jule Styne and Rodgers/Sondheim, provide a continuity that can sometimes be jarring when combined on two-fers. Highlights of the 24 tracks include "Who Knows What Might Have Been?," "I Said It and I'm Glad," "Someone Like You," and "A Perfectly Lovely Couple." This is an enjoyable and recommended reissue from the massive Percy Faith catalog originally released on Columbia Records.
This pair of 1960 studio sessions represents some of Charles Mingus' best arrangements. Leading the smaller of two groups, he interpolates "Exactly Like You" into a driving version of "Take the 'A' Train" and adds a soulful blues, "Prayer for Passive Resistance," both of which feature great solos by tenor saxophonists Booker Ervin, Yusef Lateef, and Joe Farrell…
Lightnin' Hopkins had a hard and fast approach to dealing with the abundance of record labels he recorded for during his career. The irascible bluesman would show up at the session in question but would refuse to play a note until he was paid his fee upfront. Once paid and satisfied, he'd unpack his stock set of boogie blues riffs and pretty much improvise songs on the spot until he'd fulfilled his agreed upon quota. Then he would leave. This system led to an awful lot of similarly constructed and executed throwaway tracks, but Hopkins had a special gift for personalizing the blues that came through in the best of these improvised songs, and a few gems always showed up in the process. This disc combines 1961's Walkin' This Road by Myself, which features Hopkins with drummer Spider Kilpatrick, harmonica player Billy Bizor, and pianist Buster Pickens, with 1963's solo acoustic Blues in My Bottle…
This release contains the complete LP "Plays Mack the Knife" (1961), appearing here on CD for the first time ever. It presents Johnson fronting a quartet that includes Andre Previn on piano, Red Mitchell on bass and Frank Capp on drums -quartet recordings are not especially common in Johnson’s discography- playing songs by the celebrated Kurt Weill.
As a bonus, another complete LP by Johnson, "Trombone and Voices" (1960), which also appears here on CD for the first time.
This soundtrack to the movie adaptation of Truman Capote's novel Breakfast at Tiffany's is one of Henry Mancini's best. The pleasing blend of pop (the perennial "Moon River") and swing stays fresh over the album's 12 tracks and shows off Mancini's considerable writing and arranging skills…
They'd been calling him "El Rey" for years, but Tito Puente really proved it on this, one of his best original LPs on Tico. Yes, this is the one with "Oye Como Va," one of the brightest, most exuberant Latin performances of the century, but El Rey Bravo has plenty of other features for Puente's tight pachanga orchestra…