Mountain 1969

Townes Van Zandt was a one-of-a-kind artist who blazed a new trail for singer/songwriters, conjuring a sound that combined elements of country and folk with his own artful melodic sensibility, matched with lyrics that were personal, poetic, and impressionistic while remaining firmly down to earth. A new breed of Texas singer/songwriters followed Van Zandt's example, and it's all but impossible to imagine artists like Guy Clark, Jimmie Dale Gilmore, or Steve Earle finding their voice without his guiding influence. This two-disc set features Van Zandt's first two albums, 1968's For the Sake of the Song and 1969's Our Mother the Mountain.

Elephant Mountain (1969) is the Youngbloods' third long-player and marks their debut as a trio – featuring Jesse Colin Young (bass/guitar/vocals), Joe Bauer (drums), and Lowell "Banana" Levinger (keyboards) – after the departure of co-founder Jerry Corbitt (guitar/vocals). Although the band initially formed out of the early '60s Northeast folk scene, by the time this set was issued they had relocated to the pastoral Northern California county of Marin. Blending affective pop/rock melodies and lyrics with their good time jug band roots, the Youngbloods were instantly embraced by the already blossoming Bay Area music community.

Frequently classified as the first album by the group Mountain, which was named after it, Leslie West's initial solo album featured bass/keyboard player Felix Pappalardi, who also produced it and co-wrote eight of its 11 songs, and drummer N.D. Smart II. (This trio did, indeed, tour under the name Mountain shortly after the album's release, even performing at Woodstock, though Smart was replaced by Corky Laing and Steve Knight was added as keyboard player for the formal recording debut of the group, Mountain Climbing!, released in February 1970.) Pappalardi had been Cream's producer, and that power trio, as well as the Jimi Hendrix Experience, were the models for this rock set, which was dominated by West's throaty roar of a voice and inventive blues-rock guitar playing. Though West had led the Vagrants for years and cut a handful of singles with them, this was his first album release, and it made for an auspicious debut, instantly establishing him as a guitar hero and setting the style of Mountain's subsequent recordings.

Elephant Mountain (1969) is the Youngbloods' third long-player and marks their debut as a trio – featuring Jesse Colin Young (bass/guitar/vocals), Joe Bauer (drums), and Lowell "Banana" Levinger (keyboards) – after the departure of co-founder Jerry Corbitt (guitar/vocals). Although the band initially formed out of the early '60s Northeast folk scene, by the time this set was issued they had relocated to the pastoral Northern California county of Marin. Blending affective pop/rock melodies and lyrics with their good time jug band roots, the Youngbloods were instantly embraced by the already blossoming Bay Area music community.

Elephant Mountain (1969) is the Youngbloods' third long-player and marks their debut as a trio – featuring Jesse Colin Young (bass/guitar/vocals), Joe Bauer (drums), and Lowell "Banana" Levinger (keyboards) – after the departure of co-founder Jerry Corbitt (guitar/vocals). Although the band initially formed out of the early '60s Northeast folk scene, by the time this set was issued they had relocated to the pastoral Northern California county of Marin. Blending affective pop/rock melodies and lyrics with their good time jug band roots, the Youngbloods were instantly embraced by the already blossoming Bay Area music community. This effort contains some of the band's strongest material to date, building on the considerable momentum of their 1967 self-titled release and further enhanced by their remarkable instrumental capabilities. Young's contributions are particularly notable as he vacillates between the edgy and electric "Darkness, Darkness" to the light and earthy "Sunlight" and "Ride the Wind," or the bouncy tales "Smug" and "Beautiful." Banana honors his new surroundings with the gorgeous and catchy instrumental "On Sir Francis Drake" (named after a heavily traveled Bay Area motorway).

Led Zeppelin formed out of the ashes of The Yardbirds. Jimmy Page had joined the band in its final days, playing a pivotal role on the group's final album, 1967's Little Games, which also featured string arrangements from John Paul Jones. During 1967, the Yardbirds were fairly inactive. Whilst the band members decided the group's future, Page returned to session work in 1967…