Following the success of Climbing! and appearances at Woodstock and other outdoor festivals of the day, Mountain recorded more of the same for Nantucket Sleighride. The title track is a nice mixture of classical-leaning intertwined with moderate rock; both "Don't Look Around" and "The Animal Trainer and the Toad" continue on the hard rock path so well-worn by this band. Not groundbreaking, but it is well worth listening to.
When the Mountain Goats got together in March 2020, it was to make not one album, but two. The idea was to again work with Matt Ross-Spang, the dashing Memphis wunderkind. Matt pitched we spend a week at Sam Phillips Recording, his home base in Memphis, followed by another at the storied Fame Recording Studios in Muscle Shoals, Alabama, a plan that dovetailed nicely with John’s notion of corralling these songs into two complementary batches: one light, one dark. The Memphis album Getting Into Knives, would be brighter, bolder, marked by rich and vibrant hues; the Muscle Shoals album Dark in Here, is quieter, smokier, but more deeply textured and intense.
Killer 4th studio disc by this bad-ass heavy riff:machine from Greece featuring 9 original tracks of way-kool, kick-ass, powerful, blues-based, guitar fueled, dynamic, stoner-fied vibe, hard riffage with rippin' leads & whiskey soaked vocals from the vast musical mind of prolific Greek Riff:Master Stavros Papadopoulos who has established himself as a bonafide heavy guitar rocker that is on a Mission to Keep the Rock alive.
The King Mountain -"Kingdom Of Shadows" disc is an excellent follow-up to the awesome "Days Of Redemption" disc and is Highly recommended to fans of Stavros Papadopoulos and his many other various bands and recording projects that include Super Vintage, Freerock Saints, Tania Kikidi, Revolution Highway, Hard Driver, Shadowplay Project…
Mountain Stage is a two-hour, live music performance radio show staged with a theater audience, produced by West Virginia Public Broadcasting, and distributed by NPR.
An excellent compilation containing all his four Muse albums less the vocal tracks from "Remembering Me-Me". Clifford Jordan really has not received the credit to which he is due , being very much in the shadow of other tenor titans of his generation - but that is a great shame,given the man's undoubted talent and ability. He first came to prominence under the inspired leadership of Charles Mingus in that great man's quintets/sextets of the mid-60's with no lesser band-mates than Eric Dolphy,Johnny Coles and Jaki Byard,and to my mind he certainly more than held his own in that exhalted company.