The trio on this dics is chamber music performance at its highest level of enjoyment. Listening to the CD, you get an impression of three great friends having a most delightful conversation, elegant and graceful. The recorded sound is first rate. You hear all the details of instruments being played and also the acoustic features of the room in which they performed.
Wolfgang Amadeus Mozart's Serenades and Divertimenti for orchestra epitomize his genius in crafting delightful and charming works, musical entertainment at the highest level. Composed during the late 18th century, these pieces showcase Mozart's unique ability to blend sophistication with accessibility. The Serenades, such as the renowned Eine kleine Nachtmusik, Haffner Serenade and Posthorn Serenade, enchant listeners with their graceful melodies and elegant structure. Divertimenti like the "Salzburg Symphonies" radiate exuberance through their lively rhythms and playful themes.
Founded over 60 years ago by Menahem Pressler, Daniel Guilet and Bernard Greenhouse, the Beaux Arts Trio performed and recorded exclusively for Philips Classics until 1995. Through the years, the Trio has maintained its freshness and preserved its distinctive musical heritage while the membership has changed. The Beaux Arts Trio is considered by many as having set the standard for performance of piano trio literature for all future generations. These three boxes offer a more accessible way to enjoy their complete cycles of Beethoven, Mozart and Haydn piano trios, previously collected together in Decca’s 60-CD Complete Philips Recordings.
The title of this exceptional disc, "Night Music", should not be taken to mean that the performances are in any way dark, mysterious, droopy, sluggish, or otherwise conventionally "nocturnal". Rather, the term evokes its 18th century musical meaning: a time for fun, relaxation, parties, entertainment both indoors and out, and of course, romance. Indeed, "Romantic" is perhaps the best way to describe these virtuosic, impulsive, and extravagantly expressive performances by the inimitable Andrew Manze and his team of crack "authentic-instrument" players.
Johann Nepomuk Hummel was one of the finest composers bridging the gap between the Classical and Romantic eras. His teachers included Mozart, Haydn and Beethoven, and Hummel learned his lessons very well. His music is notable for its harmonious treatments, expert architecture and never-ending string of attractive melodies.
This album attempt to show how Leopold Mozart could have influenced his well-known son Wolfgang Amadeus by placing the most famous works of Leopold Mozart against the early works of Wolfgang Amadeus. These works are performed by the Amsterdam Baroque Orchestra led by Ton Koopman, and Tini Mathot on pianoforte. One side note, while Die Bauernhochzeit and Cassatio ex ("toy symphony") are considered to be works by Leopold Mozart by the creators of this album, others argue the "toy symphony" must have been composed by Joseph Haydn or Edmund Angerer. There is little consensus within the musicological debate.
Mozart’s great musical love was opera. This rather peremptory statement is also unquestionable. He confessed to his father that he would “cry” out of envy when he listened to an opera written by somebody else. Yet, the problem was that – at his time just as today – operas were very expensive, and one had to have an established fame and a foothold in the world of music in order to be commissioned one.
Peter Serkin, whose recorded output is dwarfed by his father's in sheer size but by no means in artistic distinction, is spotlighted in a new release playing Mozart: his complete RCA recordings of the composer. When his set of Piano Concertos Nos. 14-19 was released in 1973, High Fidelity's reviewer wrote: "I have heard no other pianist who seems to follow every pulse of this Mozartean vitality quite as beautifully as Peter Serkin, and the combined efforts of Serkin fils with Alexander Schneider and the English Chamber Orchestra on this RCA set form very simply one of the most important contributions to the Mozart discography." The new box also contains Serkin's distinguished mid-1970s recordings of the Clarinet Quintet and Piano-Wind Quintet K 452 with members of his distinguished ensemble TASHI.