Nicanor Zabaleta was one of the foremost harpists of the 20th century, as important to the advancement of the harp as Segovia was to the guitar. At the age of seven, Zabaleta's father, an amateur musician, bought him a harp from an antique shop. The young Nicanor soon began taking lessons from Vincenta Tormo de Calvo, who was on the Madrid Conservatory faculty, and with Luisa Menarguez. At 17, he began studies in Paris; among his teachers there were Marcel Tournier and Jacqueline Borot.
The latest album of star oboist Albrecht Mayer is inspired by his lifelong love for the music of Mozart and featuring a world premiere recording and several new arrangements of Mozart’s most famous pieces. Mayer’s album is made in partnership with the Deutsche Kammerphilharmonie Bremen and harpsichordist Vital Julian Frey and will be released 9 April 2021. Its tracklist features a B flat major version of the Concerto for flute and harp, K. 299 (297c) arranged for oboe and harpsichord, and a transcription of Exsultate, jubilate, K. 165 (158a) for oboe d’amore, orchestra and organ. Also included are arrangements of the concert arias Non temer, amato bene, K.505 and Ah se in ciel, benigne stelle, K.538, the Rondo in C major, K.373 and the motet Ave verum corpus, K.618.
Escape the noise with Calm Classics - Soundscape of Serenity from Warner Classics. This meticulously curated collection gathers the most tranquil and restorative pieces from the classical canon, offering a sanctuary for the mind. Let the gentle melodies of Debussy, the serene harmonies of Satie, and the timeless beauty of Mozart wash over you, transforming any space into a haven of peace and contemplative calm. It is the ultimate auditory retreat for relaxation, meditation, and mindful focus.
It is wonderful that Wolfgang Amadeus Mozart is experiencing a surge of support in 2006, the 250th anniversary of his birth. For many listeners, it is a matter of embracing what is already out there in terms of Mozart's music, certainly not all of the 800-plus compositions that have come down from his prodigious pen, but generally of the 25 or so works that constitute his "hits." Nevertheless, these pieces are so prevalent that one cannot be blamed for wondering what is "new" that Mozart has to offer. One could dig into his canons, opera aria inserts, and other obscurities in search of undiscovered jewels, and truly, there are some remarkable and fulfilling items to be found there.
Star oboist Albrecht Mayer’s new album is inspired by his lifelong love for the music of Mozart and featuring a world premiere recording and several new arrangements of Mozart’s most famous pieces. Mayer’s album is made in partnership with the Deutsche Kammerphilharmonie Bremen and harpsichordist Vital Julian Frey and will be released 9 April 2021. Its tracklist features a B flat major version of the Concerto for flute and harp, K. 299 (297c) arranged for oboe and harpsichord, and a transcription of Exsultate, jubilate, K. 165 (158a) for oboe d’amore, orchestra and organ. Also included are arrangements of the concert arias Non temer, amato bene, K.505 and Ah se in ciel, benigne stelle, K.538, the Rondo in C major, K.373 and the motet Ave verum corpus, K.618.
New Year’s Eve Concert 1998 – Songs of Love and Desire Love was the theme of the 1998 New Year’s Eve Concert. And who wrote better music about love than Mozart and Verdi? Maestro Claudio Abbado has chosen two of the best Mozart interpreters, Christine Schäfer and Simon Keenlyside, for this traditionally meaningful event. Marcelo Álvarez from Argentina interprets highlights of the tenor repertoire, and Italian Primadonna Mirella Freni tops the occasion with a breathtaking performance of the Letter Scene of Tchaikovsky’s Eugen Onegin.
"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net
"…In the hands of Willems and Brautigam, this masterpiece is given a first class performance, particularly in its buoyant Finale, a sonata-rondo in which the piano and orchestra really are cavorting joyfully together. The two concertos on this disc's menu may well offer the best performances of the series so far, yielding first class solo and orchestral playing as well as the best recording of any period Mozart concerto series at this time." ~sa-cd.net