Even though Vladimir Ashkenazy is most often celebrated for his brilliantly virtuosic interpretations of Romantic repertoire, his skills in playing works of the Classical era are just as worthy, as proved by this 10-disc set from London of Wolfgang Amadeus Mozart's piano concertos. These performances span a period from 1966 to 1988, capturing a youthful and vigorous Ashkenazy playing and conducting the Philharmonia Orchestra and the English Chamber Orchestra from the keyboard, in approved Mozartian fashion. All of the keyboard concertos are here, including the official 27 concertos for piano and orchestra, the Concerto for two pianos in E flat major, K. 365, the Concerto for three pianos in F major, K. 242, as well as the two Rondos K. 382 and K. 386. Ashkenazy's elegant playing has been highly praised by critics and placed on a level with his esteemed contemporaries Murray Perahia, Daniel Barenboim, and Alfred Brendel, all past masters of Mozart's primary medium of expression.
Géza Anda set down his cycle of Mozart piano concertos, in which he also directed the Camerata Academica of the Salzburg Mozarteum, in the years 1961 and 1969. That his survey seldom has been out of the catalog in the intervening years attests eloquently enough to its qualities, and DG's decision to reissue the performances as part of its mid-priced Collectors Edition series will be warmly welcomed.
We are accustomed to looking to Pearl for gems from the past, and these transfers from previously unpublished live recordings of the 70-year-old Horszowski's Mozart, complete with crackles, muffed notes and coughing fits aplenty, do indeed sound as if they come from the dark backward and abysm of time. They date, in fact, only from 1962-72: near contemporaries of Barenboim's Mozart concertos with the English Chamber Orchestra. These performances, though, were taken from radio tapes and from a disc-cutting machine fed directly by the microphones in the Metropolitan Museum of Art where this concert series was held. They are alive with all the spontaneous enthusiasm of music-making which involved no record companies, no editing and no public relations.
Few record labels can boast as glorious a legacy as Sony Classical. This lavish four-disc set chronicles the finest performances available on the label from the past ninety-five years. Eighty selections comprising over four hours of music are accompanied by two lavishly illustrated booklets highlighting Sony Classical's stellar history.
Sony Classical releases a comprehensive homage to Abbado, acknowledged as one of the greatest of all conductors, by releasing a 39 CD boxset comprising his complete recordings for both RCA and CBS/Sony with the Berlin Philharmonic, the Chicago Symphony Orchestra as well as with the London Symphony Orchestra and featuring such stellar soloists as Murray Perahia, Martha Argerich, Midori, Cecile Licad and Lazar Berman.
Deutsche Grammophon, home to the greatest pianists, presents a collection of the most essential piano masterworks – a collection of the most beautiful, exciting and moving pieces for piano; presenting the world’s best composers, popular works, and outstanding performances from Deutsche Grammophon’s unrivalled roster of pianists: from the greats – Horowitz, Gilels, Richter, Argerich – to the younger generation: Seong-Jin Cho, Alice Sara Ott, Vikingur Ólafsson, Hélène Grimaud, Yuja Wang. Also represented are the new faces of composition – Max Richter and Ludovico Einaudi.