…Until I heard Brautigam on this SACD. This is for me his greatest achievement over the 7 Beethoven discs. A breathtaking feeling for everything on the right place. His tempo, speed, accents, volume, absolutely everything is combined to 1 unique reading. Yes, this is a Beethoven sonata! I experienced how Beethoven’s genius, Brautigams insight & virtuosity & the sound of the instrument blended to one grasping, divine moment of beautiful music.Then for artist & listener a demanding fugue is heavenly presented, the complex structure comes out crystal clear. Add the marvelous sound of the SACD medium & one can consider this SACD as a new reference in recording history. I hope we don’t have to wait another year for the Last Sonatas…" ~sa-cd.net
One of the piano's most lyrical contemporary proponents, Murray Perahia was born in New York City. After first sitting down at the piano at the age of four, he entered Mannes College at 17, later graduating with degrees in conducting and composition. At the same time, Perahia spent his summers in Marlboro, Vermont, collaborating with musicians including Rudolf Serkin, Pablo Casals and the members of the Budapest Quartet; he also studied with Mieczyslaw Horszowski. Upon winning the Leeds International Piano Competition in 1972, Perahia gave his first concert at the Aldeburgh Festival a year later, where he met and worked with Benjamin Britten and Peter Pears, subsequently accompanying the latter in many lieder recitals. Perahia became co-artistic director of the Aldeburgh Festival in 1981, a position he held for eight years; his recordings include the complete concertos of Mozart, Beethoven and Chopin.