Mp3 Compilation 2019

Stunt Records har også opdaget og udgivet mange unge, kommende jazz talenter, herunder Lars Møller, Claus Waidtløv, Bagdad Dagblad og Niclas Knudsen. Mange internationale kunstnere er også optaget på Stunt-udgivelser, hvoraf Mike Stern, Enrico Pieranunzi, John Abercrombie, Michael Brecker, Adam Nussbaum, Andy Sheppard, Jimmy Cobb, Kenny Werner, Jerry Bergonzi, Eddie Gomez og Billy Hart er blot nogle få eksempler.

Cafe Bossa Brazil Vol.9: Bossa Nova Lounge Compilation contains the definitive Artists & Jazz, Bossa Nova, Latin, Chillout. The Best hits from Alma Thomas, Franco Sattamini, Rogerio Vaz, Daniel Musy and many more.

The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic and electric guitars, and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum and was sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.

Lead by Curtis Mayfield, the Impressions are one of the most important harmony groups in the history of popular music, racking up 14 US Top 40 hits and numerous R&B chart riders. Much more importantly they crafted and defined a sound that became a Soul template which influenced countless other artists across all genres, including the likes of Kanye West, the Jam, Bob Marley and Jimi Hendrix. This comprehensive collection features their finest output from the '60's including 'People Get Ready', 'Gypsy Woman', 'It's All Right' and 'We're a Winner'.

Recorded during 2015's highly acclaimed 'Big Music' Live Tour, the recordings features blistering versions of many of the Simple Minds' classic hits from across the decades - 'Don't You Forget About Me', 'Alive And Kicking', 'New Gold Dream (81, 82, 83, 84)', 'Waterfront' - alongside some of the best songs from the band's then most-recent hit album 'Big Music'. "The set list of the Big Music Tour was gloriously ambitious. Almost theatrical in the way that it was put together. So many varying styles of music and atmospheres feature, and yet it is always inherently Simple Minds live. Simply put, it was a real pleasure to be involved." Jim KerrPressed on 180gm white vinyl.

20th February 1971 Show From The Band s Run At The Capitol Theatre in Port Chester, New York. Grateful Dead s six night run at the Capitol Theatre in Port Chester, New York in February 1971, which extended from the 17th - 23rd (six shows across seven nights), marked the beginning of Mickey Hart's temporary departure from the band; his last show with the Dead was on 17th February 1981, until his return on 20th October 1974. The 20th February concert included the second ever appearance of the classic Wharf Rats , a song that later gave name to Deadheads who were living alcohol and narcotic free. The opening act for this series of concerts was New Riders Of The Purple Sage, which at the time featured Jerry Garcia on pedal steel guitar.

Procol Harum is arguably the most successful "accidental" group creation – that is, a band originally assembled to take advantage of the success of a record created in the studio – in the history of progressive rock. With "A Whiter Shade of Pale" a monster hit right out of the box, the band evolved from a studio ensemble into a successful live act, their music built around an eclectic mix of blues-based rock riffs and grand classical themes.

The most successful folk-rock duo of the 1960s, Paul Simon and Art Garfunkel crafted a series of memorable hit albums and singles featuring their choirboy harmonies, ringing acoustic and electric guitars, and Simon's acute, finely wrought songwriting. The pair always inhabited the more polished end of the folk-rock spectrum and was sometimes criticized for a certain collegiate sterility. Many also feel that Simon, as both a singer and songwriter, didn't truly blossom until he began his own hugely successful solo career in the 1970s. But the best of S&G's work can stand among Simon's best material, and the duo did progress musically over the course of their five albums, moving from basic folk-rock productions into Latin rhythms and gospel-influenced arrangements that foreshadowed Simon's eclecticism on his solo albums.