Mulligan

This four disc-set contains all of the existing Concert Band Sessions from May 1960 to December 1962, and makes available for the first time five previously unreleased performances. Some seven others, whose original tapes are either missing or lost, are notated here for the sake of discography. This was, arguably – after and aside from Mulligan's piano-less quartet with Chet Baker – the most visionary music he ever made. ~ AllMusic

This jazz-themed performance release travels back to June 13, 1980 at Stockholm's famous Jazz and Blues Festival, where The Gerry Mulligan Quartet (comprised of baritone sax player Mulligan, bassist Peter Axelsson, drummer Ronnie Gardener and pianist Don Trenner) headline a live set before an enthusiastic festival audience.

The most famous and probably greatest jazz baritonist of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist. Mulligan started on the piano before learning clarinet and the various saxophones.

Gerry Mulligan - Mosaic Select 21: 1957-1958 (2006) {3CD Set Mosaic Records MS-021}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.27 Gb | MP3 @320 -> 523 Mb
Full Artwork @ 300 dpi (png) -> 104 Mb | 5% repair rar
© 1957-58, 2006 Mosaic Records / EMI | MS-021 | 24-bit remaster by Ron McMaster
Jazz / Cool / West Coast Jazz / Saxophone

Gerry Mulligan was certainly busy in December 1957. During a two-week period, the baritonist recorded a reunion album with trumpeter Chet Baker, documented a set of his songs with an octet that featured five top saxophonists, recorded a very obscure set with a sextet that included four strings, and cut most of an album in which his quartet teamed up with singer Annie Ross. This limited-edition three-CD set contains all of the music plus alternate takes and the last part of the Ross album, which was recorded nine months later with trumpeter Art Farmer in Baker's spot. The reunion with Baker, one of only two times when Mulligan and the trumpeter got back together (the other was a 1970s concert), has some of the old magic of the famous 1951-1952 pianoless quartet.

The most famous and probably greatest jazz baritonist of all time, Gerry Mulligan was a giant. A flexible soloist who was always ready to jam with anyone from Dixielanders to the most advanced boppers, Mulligan brought a somewhat revolutionary light sound to his potentially awkward and brutal horn and played with the speed and dexterity of an altoist…