The compositions of this Italian organist were predominantly written in the dramatic vein. Operas dominated his work. Torri served as a master of the chapel for the Margrave of Beyreuth, probably traveled in Italy for about five years, and then found service with Max Emanuel in 1689. During the Wars of Spanish succession the Munich court traveled to many different places in Europe. Torri was usually in the company of Max Emanuel. The court eventually returned to Munich in 1715 and Torri acceded to the position of Hofkapell-Director. It was not until 1732 that he became the Hofkapellmeister. The operas which Torri composed, including "Gli oracolo di Pallade e di Nemesi," "Briseide," and "Amadis aus Griechenland" were in the style of Scarlatti.
Nur wenige Werke der Musikgeschichte erfreuen sich so großer Beliebtheit wie die 1850 wiederentdeckten Sechs Brandenburgischen Konzerte von Johann Sebastian Bach. Diese dem Markgrafen Christian Ludwig von Brandenburg gewidmeten Konzerte wurden von der Hofkapelle München unter der musikalischen Leitung von Rüdiger Lotter in einer erfrischenden Interpretation neu eingespielt und bestechen durch ihre straffen Tempi. Zahlreiche bekannte Solisten wie Dorothee Oberlinger, Hille Perl, Rüdiger Lotter u. a. brillieren in den von Bach untereinander sehr unterschiedlich instrumentierten Konzerten.
The outstanding young countertenor Valer Barna-Sabadus has chosen works by a composer who was highly esteemed in his lifetime, but slipped into oblivion. The artist writes “My aim is to give new life to these works… one that places the individuality of the musical works in the forefront.”