Murray Schafer

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.

Dystophilia: A fascination with the rate of societal decline. An unravelling of order as it careens into a dystopian AI future where melodies pile helter-skelter over phrases, genres melt seamlessly into one another, metal textures crash into chamber-like enclaves, forms teeter on the edge of collapse, violent rhythms transform into ghostly voices, and spiralling polyphonies end in jazz riffs or pop songs.

On their latest recording, the acclaimed Molinari Quartet delves into the complete string quartet cycle of iconoclast Italian composer, Giacinto Scelsi (1905-1988).

“Jardin féérique”, the Métaboles’ 2nd album with NoMadMusic, is a true ode to nature. Infinite source of inspiration, it becomes an enchanted forest with Ravel, is the symbolical reflection of the soul’s tremors with Saint-Saëns, while Britten, in his Hymn to Saint Cecilia – patron of musicians – pays homage to the muse walking through a shady garden. Britten’s Flower Songs create a unique cycle like a musical herbarium… The figurative music of Murray Schafer (Miniwanka) – engaged composer and ecology-lover – develops the concept of a musical landscape: a fascinating conjunction of vocal gestures, percussion, onomatopeia, evocation of rituals which reveal the metaphysical dimension of the link between Nature and Mankind.

Brett Scott is Associate Professor of Ensembles and Conducting at the University of Cincinnati’s famed College-Conservatory of Music, where he conducts the CCM Chorale, teaches conducting and literature at the graduate and undergraduate level, and is Music Director of Opera d’arte. Under his direction, the CCM Chorale released its first commercial recording, Lux Dei—New Works for Choir by Douglas Knehans, through Ablaze Records, and has begun production of its second recording, focusing on sacred music for choir and electronics.