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Latvian Radio Choir, Sigvards Klava, Dace Kļava & Aldis Liepiņš - Brahms: Liebeslieder (2017)

Latvian Radio Choir, Sigvards Klava, Dace Kļava & Aldis Liepiņš - Brahms: Liebeslieder
Classical, Choral | WEB FLAC (tracks) & d. booklet | 49:39 min | 189 MB
Label: Ondine | Tracks: 29 | Rls.date: 2017

Best known for his gigantic orchestral masterpieces Johannes Brahms (1833-1897) took equal pleasure in writing smaller miniatures. In fact, Brahms wrote a substantial number of pieces for vocal quartet and piano; this ensemble was for him a vehicle for expressing warmth and positive emotions, and as such this genre remains one of the most beloved in his output. This new recording by the prestigious Latvian Radio Choir under Sigvards Klava features a selection from his Opp. 52, 64, 65 and 92, including some of his famous Liebeslieder-Walzer.
Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 4 [3CDs] (1996)

Ton Koopman, Amsterdam Baroque Orchestra & Choir - Johann Sebastian Bach: Complete Cantatas Vol. 4 [3CDs] (1996)
EAC | FLAC | Tracks (Cue & Log) ~ 1,05 Gb | Total time: 3h 39m | Scans included
Classical | Label: Erato | # 0630-15562-2 | Recorded: 1995

The fourth volume of our complete recording of Bach's cantatas completes the series of secular cantatas from the composer's years in Leipzig. Seven works are involved here, spanning a period from 1725 to1742, the year of Bach's final secular cantata, BWV 212. Of Bach's occasional compositions, some fifty secular pieces have survived, yet these represent no more than a fraction of what must once have existed. Bach's secular cantatas cover a period of almost exactly three decades.

Alexander Grychtolik - Bach: Celebration Cantatas (2019)  Music

Posted by ciklon5 at April 11, 2019
Alexander Grychtolik - Bach: Celebration Cantatas (2019)

Alexander Grychtolik - Bach: Celebration Cantatas (2019)
FLAC (tracks) | 01:19:51 | 381 Mb
Genre: Classical / Label: deutsche harmonia mundi

Nach über 50 Jahren wird J. S. Bachs „Schäferkantate“, die weltliche Urfassung des Osteroratoriums, durch die Deutsche Hofmusik wieder neu eingespielt. Zusammen mit der Weltersteinspielung der „Krönungskantate“ BWV 205a für August III. von Polen erscheint sie beim Alte-Musik-Label Deutsche Harmonia Mundi (Sony). Die CD-Aufnahme wurde gefördert durch die Funk-Stiftung.
Alexander Grychtolik - Bach: Celebration Cantatas (2019) [Official Digital Download 24/96]

Alexander Grychtolik - Bach: Celebration Cantatas - Blast Lärmen ihr Feinde, BWV 205a / Entfliehet ihr Sorgen, BWV 249a (Schäferkantate) (2019)
FLAC (tracks) 24-bit/96 kHz | Time - 81:03 minutes | 1.45 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Nach über 50 Jahren wird J. S. Bachs „Schäferkantate“, die weltliche Urfassung des Osteroratoriums, durch die Deutsche Hofmusik wieder neu eingespielt. Zusammen mit der Weltersteinspielung der „Krönungskantate“ BWV 205a für August III. von Polen erscheint sie beim Alte-Musik-Label Deutsche Harmonia Mundi (Sony). Die CD-Aufnahme wurde gefördert durch die Funk-Stiftung.
Eric Le Sage - Brahms: Œuvres pour piano à quatre mains (Intégrale musique de chambre), Vol. 10 (2022)

Eric Le Sage - Brahms: Œuvres pour piano à quatre mains (Intégrale musique de chambre), Vol. 10 (2022)
FLAC (tracks), Lossless | 2:05:30 | 371 Mb
Genre: Classical / Label: B Records

Funereal variations, wild or melancholic waltzes, Hungarian dances with gypsy accents: this is an anthology of Brahmsian aesthetics that beautifully concludes the complete chamber music of the composer on B Records. Théo Fouchenneret and Éric Le Sage give all its colors and contrasts to the too often underestimated repertoire of the four-hand piano. Théo Fouchenneret won First Prize at the Geneva International Competition in November 2018 before being named ‘Instrumental Solo Discovery’ of the year at the Victoires de la Musique Classique. The sensitivity and poetry of his touch but also the maturity of his interpretations are unanimously agreed to distinguish this young French pianist from other performers of his generation. Eric Le Sage is recognized as a musician of rare musical sensitivity, and is established as one of the leading pianists of his generation. He is a highly acclaimed performer of Schumann’s piano music and of chamber music in general, and his deep interest in unknown works has earned him a catalogue of over 50 concertos.
Eric Le Sage - Brahms- Œuvres pour piano à quatre mains (Intégrale musique de chambre), Vol. 10 (2022) [24/96]

Eric Le Sage - Brahms- Œuvres pour piano à quatre mains (Intégrale musique de chambre), Vol. 10 (2022) [24/96]
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 02:05:31 minutes | 2,01 GB
Classical | Studio Master, Official Digital Download

Variations funèbres, valses folles ou mélancoliques, danses hongroises où claquent des accents tziganes : c’est un florilège de l’esthétique brahmsienne qui vient conclure en beauté l’intégrale de la musique de chambre du compositeur chez B Records. Théo Fouchenneret et Éric Le Sage donnent toutes ses couleurs et ses contrastes au répertoire trop souvent mésestimé du piano à quatre mains.
Barockwerk Hamburg - Telemann: Kommt, lasset uns anbeten. Inauguration Cantatas for Hamburg & Altona (2019)

Barockwerk Hamburg, Hanna Zumsande, Alon Harari, Mirko Ludwig & Ira Hochman - Telemann: Kommt, lasset uns anbeten. Inauguration Cantatas for Hamburg & Altona (2019)
WEB FLAC (tracks) - 316 Mb | MP3 CBR 320 kbps - 151 Mb | 01:05:42
Classical, Vocal | Label: CPO

The three compositions brought together on this CD demonstrates how Telemann could be relied on to compose not only church music for ordinary religious services, but also compose works for extraordinary sacred events and special occasions. Telemann’s dedicatory piece for the church in the St. Hiob-Hospital in Hamburg "Kommt, lasset uns anbeten" is scored for an ensemble that is noticeably smaller than those of his other compositions for the dedication of churches. This does not reflect lesser status, but owes to the small church space. As a result, the composition convinces the listener with its intimacy, while the ensemble limited to a few musicians contributes significantly to the exquisite impression made by this lovingly designed music displaying many beautiful details, above all in the melodic and harmonic spheres. By contrast, the stylistic modernity and wealth of imagination in Telemann’s sung poem 'Geschlagene Pauken, auf!' – which has been recorded here for the first time – makes us sit up and take notice.
Jakub Mitrík and Biber Consort - Mandora: The Lute of the Monasteries (2025)

Jakub Mitrík and Biber Consort - Mandora: The Lute of the Monasteries (2025)
FLAC (tracks), Lossless | 1:00:42 | 269 Mb
Genre: Classical

The mandora is a lute instrument that gradually disappeared with the advent of the guitar and has been completely forgotten since around 1820 - until today. The lutenist Jakub Mitrik has set himself the goal of reviving this instrument and its repertoire with this CD. The development of the mandora was a reaction to the baroque lute, which became increasingly complicated to play and had up to 14 courses of strings. It is tuned in a similar way to the later guitar and has six strings, the lower five of which are double-stringed. The mandora was particularly popular in monasteries, especially among the Benedictines. There, the mandora was valued as a solo and chamber music instrument due to its handiness and versatility. The archives of these monasteries also contain a very varied repertoire specially tailored to the mandora, which Jakub MitrIk and his Biber Consort present here for the first time. This is chamber music in a wide variety of formations, in which the mandora takes on the role of a fully-fledged partner that goes far beyond mere basso continuo accompaniment. With his selection, MitrIk presents a multi-coloured and sensitively performed CD programme that reflects the lightness of the late Baroque and early Classical periods and allows musical life in the monasteries outside the liturgy to shine in an unusual light.
Philippe Herreweghe, Collegium Vocale - Johann Sebastian Bach: Tönet, ihr Pauken! - Cantatas BWV 207 & 214 (2005)

Philippe Herreweghe, Collegium Vocale - Johann Sebastian Bach: Tönet, ihr Pauken!: Cantatas BWV 207 & 214 (2005)
EAC | FLAC | Image (Cue & Log) ~ 293 Mb | Total time: 56:11 | Scans included
Classical | Label: Harmonia Mundi | HMC 901860 | Recorded: 2004

Long one of the finest living interpreters of Bach's sacred music, Philippe Herreweghe here adds two secular cantatas to an already distinguished discography. In the festive Vereinigte Zwietracht der wechselnden Saiten and the celebratory Tönet, ihr Pauken! Erschallet, Trompeten, Herreweghe leads his Collegium Vocale, Ghent in performances of rare beauty and great joy. Taking the symbolic roles of Diligence, Honor and Gratitude in one cantata and the scarcely less symbolic roles of Irene, Bellona, Fama, and Pallas in the other, the vocal quartet of Carolyn Sampson, Ingeborg Danz, Mark Padmore, and Peter Kooy performs with brilliant characterizations and consummate artistry.
Beethoven - Trio Parnassus - Complete Piano Trios Vol. 1-5 (2001) [New rips & scans - Combined Repost]

Ludwig van Beethoven - Trio Parnassus - Complete Piano Trios
5xCD | EAC+LOG+CUE | FLAC: 1,07 GB | Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # Various | Country/Year: Germany 2001
Genre: Classical | Style: Classicism, Piano Trio

There's beauty aplenty in Parnassus' playing… MDG's recording, by placing the piano (which sounds wonderful throughout) slightly back in the acoustic, achieves a believable and wholly satisfying instrumental balance.