Music of The Doot

Steep during an era! This music will be lasts eternally if I replace batteries!

EMI Germany release featuring 36 tracks from EMI catalogue covering decades 80s & 90s.

Freddie Redd - Shades Of Redd (1960) + Redd's Blues (1961) {Blue Note}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 653 Mb | MP3 @320 -> 213 Mb
Full Artwork @ 300 dpi (jpg) -> 28 Mb | 5% repair rar
© 2008, 2002 Blue Note / Capitol / EMI | 50999 5 14375 2 7 / 7243 5 40537 2 6
Jazz / Hard Bop / Piano

In an all too small discography, Freddie Redd's Shades of Redd is without a doubt his crowning achievement. Completed after a successful stint composing music for the stage play The Connection, Redd wrote music specifically geared for his two formidable front line saxophonists – emerging alto giant Jackie McLean and the unsung hero of the tenor, Tina Brooks. Redd, bassist Paul Chambers, and drummer Louis Hayes, fresh out of the Detroit scene, took New York City by storm playing clubs and working with Redd when he was not doing production music.

Freddie Redd - The Complete Blue Note Recordings of Freddie Redd (1960-61) [2CD Set] {1989 Mosaic Records MD2-124}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 729 Mb | MP3 @320 -> 310 Mb | Artwork @ 300 dpi (png) -> 10 Mb | 5% repair rar
© 1989 Mosaic Records / Blue Note / EMI Capitol Records | MD2-124
Jazz / Hard Bop / Piano

Features material from The Connection, Shades Of Redd, and an Unissued Session! Available in a box set as either three LPs or two CDs, this limited-edition release has all of the music recorded at pianist Freddie Redd's three Blue Note sessions. In addition to the selections originally included on the LPs Music From the Connection and Shades of Redd, there is a completely unissued date that adds to the fairly slim Freddie Redd discography. Altoist Jackie McLean (who is on all three sets) and tenor saxophonist Tina Brooks (a key soloist on two) co-star with the pianist; trumpeter Benny Bailey is also heard from the later date. The music is comprised mostly of Redd's originals (including seven songs written for the stage play The Connection) and fits into the style of the mainstream hard bop of the day, although with a few personal touches. Straight-ahead fans and Blue Note collectors can consider this set to be essential.

Capilla Flamenca - Puer nobis: Kerstmis in de Renaissance (Christmas in the Renaissance) (1994) {Eufoda 1147}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 242 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 600 dpi (jpg) -> 54 Mb | 5% repair rar
© 1994 Eufoda | 1147
Classical / Early Music / Renaissance / Christmas

The vocal and instrumental consort Capilla Flamenca takes its name from the choir of the court chapel of Emperor Charles V. When Charles left the Low Countries in 1517, he took his best musicians with him in order to accompany him as ‘living polyphony’ to Spain.