In the grand tradition of sequels, Sound-System picks up from where Future Shock left off – if anything, even louder and more bleakly industrial than before (indeed, "Hardrock" is "Rockit" with a heavier rock edge). Yet Hancock's experiments with techno-pop were leading him in the general direction of Africa, explicitly so with the addition of the Gambian multi-instrumentalist Foday Musa Suso on half of the tracks. "Junku," written for the 1984 Olympic Games with Suso's electrified kora in the lead, is the transition track that stands halfway between "Rockit" and Hancock's mid-'80s Afro-jazz fusions. Also, "Karabali" features an old cohort, the squealing Wayne Shorter on soprano sax. Despite succumbing a bit to the overwhelming demand for more "Rockits," Hancock's electric music still retained its adventurous edge.
A must for every audiophile. This specialty album is of particular interest for audiophiles and for anyone wishing to calibrate their precious sound system and speaker placement. This is a great Setup and Test recording from high-end 2xHD mastering lab, packed with expertly chosen music cuts, test tones, instrument resonances, stage perspectives, noises and a system burn-in track, in DSD and double DSD, to help properly set up and enhance your system; a must have tool to help tweak your system for maximum performance. Also includes over 57 minutes of audiophile music.
For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.
Paolo Fresu's Songlines/Night & Blue is a beautiful performance by a musician who does not feel compelled to prove himself with pyrotechnics. Instead, on this two-disc set, the Italian trumpeter prefers speaking his piece with lush melodies and a rich full horn sound, supported by an exceptional quartet. Being an Italian album, it seems appropriate to use a few musical terms. The entire affair, around 140 minutes in length, is taken sostenuto (smoothly), with a pace that slides between adagio (slowly) and andante (walking), but never goes much faster than that. But this down-tempo consistency should not be confused with sloth. Everything here is tightly played, with some real intensity from the musicians; it's just not going to wake the neighbors with frenetic thunder.
In 1974, during the heyday of the New York salsa explosion, the Fania All Stars were invited to perform in front of 80,000 people at a stadium in Zaire, Africa. Featuring exquisite performances by Celia Cruz, Héctor Lavoe and the All Stars' many other virtuoso players and vocalists, the concert was captured on film. Unfortunately, this precious footage has been available only in substandard versions, quickly becoming a rare collector's item. Now, Fania is proud to offer a definitive edition of this musical treasure. The brand new edition of Fania All Stars - Live In Africa includes a remastered DVD of the original film, as well as a CD with the audio of the concert.
Your attention is invited to a collection of albums of the now legendary Putumayo World Music label.
Each album is supplied with a colorful booklet containing a lot of interesting information about the music styles within the chosen themes for an album (the names of the albums are always bright - they speak for themselves), and also about the musicians-performers.