my Fair Lady Loves Jazz

Once upon a time it was virtually unheard of for musical performers to write their own songs. That was the province of a separate breed, the professional songwriters who worked for music publishers in New York's Brill Building, or else touted their wares down the Tin Pan Alleys of the world. Essential to the whole process were the vocalists, because someone had to sing the songs.These were often under contract with a specific dance band. In the parlance of the day, these singers were often referred to as 'crooners'. The hundred tracks on this 4-CD set are mostly drawn from the 1950s and early 1960s - largely a mixture of standards from the pens of classic songwriters like Cole Porter and George Gershwin, as well as showtunes taken from musicals like My Fair Lady and Showboat.

Dean Martin finally got access to conductor/arranger Nelson Riddle for an album project, and the result was an easy swinging collection with appealing horn charts and a series of comfortable readings of recent and vintage standards…

Dean Martin finally got access to conductor/arranger Nelson Riddle for an album project, and the result was an easy swinging collection with appealing horn charts and a series of comfortable readings of recent and vintage standards. Especially notable were the two songs borrowed from My Fair Lady, "On the Street Where You Live" and "I've Grown Accustomed to Her Face," which Martin and Riddle re-imagined as straight-forward love songs; "You're Nobody 'til Somebody Loves You" (which Martin would try again in a more contemporary arrangement four years later for one of his biggest hits); and a solo version of "Just in Time," which the singer had recently done with Judy Holliday in the film version of the musical Bells Are Ringing. This Time I'm Swingin'! was a good, confident set by an artist who had figured out how to make competent albums without expending a lot of effort, which was a key to his charm.

Die Hamburger Jazzszene ihre Vielfalt und Lebendigkeit bringen so manchen Musikliebhaber zum Schwärmen. Nach dem Zweiten Weltkrieg fanden sich in der Stadt an der Elbe hunderte spielhungriger Bands zusammen, für die bald auch unzählige Auftrittsorte entstanden. Der Cotton Club oder Dennis Swing Club wer kennt sie nicht? Für die Fans des Hamburger Jazz und alle, die mehr darüber erfahren möchten, entstand diese umfangreiche Kollektion. In Wort, Bild und Ton wird der Werdegang einer einmaligen Szene lebendig: von der Zeit, als die Hafenstadt in Trümmern lag, bis hin zum Sound von heute. Sie halten ein Set in Händen, das aus 18 CDs und einem 300 Seiten starken Buch besteht.