my First Movie Take Two

A characteristically humongous (8-CD) box set from the wonderful obsessive-compulsives at Bear Family, documenting the Killer's '60s tenure at Smash Records. Lewis made consistently good music during this period, but the combination of his personal scandals and the British Invasion made him a pariah to radio programmers until mid-decade, when he returned to his country roots. Highlights of the set include the entirety of a Texas live show, with Lewis and his crack band rendering various early rock standards at dangerously high (i.e., proto punk) speed, some excellent duets with his (then) wife Linda Gail, and gorgeous renditions of standards like Willie Nelson's "Funny How Time Slips Away" and Merle Haggard's "Lonesome Fugitive." Lewis fans with deep pockets should grab this one immediately…

Bonnie Bianco - Lonely Is The Night
EAC+LOG+CUE | FLAC: 330 MB | Full Artwork: 26 MB | 5% Recovery Info
Label/Cat#: WEA # 9031-72362-2 | Country/Year: Germany 1990
Genre: Pop, Electronica | Style: Pop, Dance, Synth Pop

…For the second album with WEA, Lonely Is the Night, Bianco wanted to challenge herself and go a little more pop, with a touch of dance. She is known for her ballads and this was a huge risk; also dropping the name Bonnie, didn't help make it any easier, it took a lot of courage. Despite being produced by international top-notch producers, such as Klarmann/Weber and some of America's most successful songwriters Diane Warren and Jeff Lorber, Lonely Is The Night became a huge flop…

The first feature film directed by Jean-Luc Godard and one of the seminal films of the French New Wave, Breathless is story of the love between Michel Poiccard, a small-time hood wanted for killing a cop, and Patricia Franchini, an American who sells the International Herald Tribune along the boulevards of Paris. Their relationship develops as Michel hides out from a dragnet. Breathless uses the famous techniques of the French New Wave: location shooting, improvised dialogue, and a loose narrative form. In addition Godard uses his characteristic jump cuts, deliberate "mismatches" between shots, and references to the history of cinema, art, and music. Much of the film's vigor comes from collisions between popular and high culture: Godard shows us pinups and portraits of women by Picasso and Renoir, and the soundtrack includes both Mozart's clarinet concerto and snippets of French pop radio.

The initial Polydor Abba CDs released in 1982 were only available in territories where PolyGram had the Abba licence but this was to change in 1983 as Polar entered the CD market. In reality, Polar’s entry into the CD market masked a simple case of outsourcing as PolyGram were simply asked to press up copies of their Abba titles with Polar catalogue numbers and packaging. While PolyGram would continue to supply their local markets with red coated Polydor CDs, Abba’s other European licencees would be sent the ‘Polar’ CDs.