Mylène Farmer

Mylène Farmer's fifth live album to date, No.5 on Tour, documents her 2009 tour of France in support of her most recent studio album, Point de Suture (2008). The standard edition of album includes 20 songs spread across two discs, including a bunch of her greatest hits performed in the electro-rock style of Point de Suture. Though some of these songs are also included on her previous live albums, most recently Avant Que l'Ombre…A Bercy (2006), N°5 on Tour stands apart from its in-concert predecessors on account of its new arrangements, abundance of new material, and recording quality so pristine that it sounds as though the album were recorded in a studio with overdubbed interjections of audience noise and stage banter.

Remix XL is the third remix album by French singer Mylène Farmer, released on 19 April 2024 (CD, LP, Digital) on Stuffed Monkey and Sony Music. The album includes remixes of some of Farmer's most popular songs from different periods of her career. DJs such as Feder, The Hacker, Cut Killer, Arnaud Rebotini and The Avener worked on the album. Farmer recorded new vocals for some of the older tracks, which were originally released from 1986 to 1995; this is likely due to the fact that Universal Music retains the rights to the original versions of these songs.

The first hits package from iconic singer/songwriter Mylene Farmer, 2001 release Mots, showcases her musical evolution from French pop chanteuse to feisty rock chick to futuristic dance diva. A celebration of her 17-year career, the two-CD collection includes 27 of her most popular singles and B-sides compiled in chronological order, from her 1989 debut "Maman a Tort" to 2001's "L'Histoire D'Une Fee, C'est…" alongside three new compositions, "C'est Une Belle Journee," "Pardonne-Moi," and the title track collaboration with Seal.

Monkey Me is the ninth studio album by French singer-songwriter Mylène Farmer, and her 18th album overall. Preceded by the lead single "À l'ombre", which peaked at number-one in France, the album was released on 3 December 2012. Despite mixed reviews from critics, it entered the French album chart at number one in its first week. The album was certified 3× Platinum within its first month of release in France. The album was supported by the sold-out Timeless tour the following year. Despite its strong sales, the album received mixed reviews from the press. On one hand, many critics welcomed the return of Laurent Boutonnat in the songwriting process;[citation needed] on the other hand, others, for example the magazine 7 sur 7, found the arrangements very dated.

Compilation containing 11 singles by Mylène Farmer, remixed by some of the most famous DJs and producers from the club scene. All remixes were made exclusively for this release, including JXL, Felix Da Housecat and Paul Oakenfold.

2015 release, the 10th studio album by French singer, songwriter and pop culture icon Mylène Farmer. Interstellaires was produced by The Avener and Martin Kierszenbaum. Includes the single 'Stolen Car', a duet with British rock veteran Sting. This version of the much-loved Sting track has been completely reimagined by producer, The Avener. In the span of her 30-year career, French superstar, Mylène Farmer has sold over 11 million albums worldwide, released nine studio albums and six live albums, all of which reached diamond status in France. Mylène is the first female artist in history to sell out the 80,000 capacity "Stade de France" two nights in a row. On her last arena tour, Mylène's tickets were sold out a full year in advance. She has cultivated her fervently loyal fan base through consummate songwriting, classic melodies and ground-breaking videos.

L'Emprise (English: Control) is the twelfth studio album by French recording artist Mylène Farmer, released on 25 November 2022 by Stuffed Monkey. The album was produced by Yoann Lemoine, AaRON and Moby, among others. Described as a return to the darker instrumentation of her earlier records, L'Emprise is a concept album which deals with a person who is under psychological manipulation and breaks free from it. L'Emprise received positive reviews from music critics, with many noting it as a return to form for Farmer. Commercially, the album was successful, achieving the gold status in France within the first week of its release. The album also peaked at number one in France, Wallonia, and Switzerland, making it Farmer's first release to do so.