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Ce volume est le résultat ainsi que l'aboutissement d'une quinzaine d'années d'investigation dans l'univers des Illuminatis, du Gouvernement Mondial des Nations Unies, de la Conspiration Universelle de l'Âge du Verseau, et des milieux Politiques, Économiques, Militaires et Médicaux internationaux. Les investigations, les compilations de documents et la rédaction du présent ouvrage furent conduites d'une manière rigoureusement scientifique afin de constituer un rapport d'enquête journalistique. …

Even amidst the already seedy underbelly of the late-'80s L.A. glam metal scene, L.A. Guns were the undisputed bottom-feeders. A ragged collection of outcasts from various other bands (guitarist Tracii Guns was the original "guns" in Guns n' Roses, drummer Steven Riley had recently vacated the stool with shock-kings W.A.S.P., and British vocalist Phil Lewis had done time with London glamsters Girl), they elevated the unrepentant sleaziness and undeniable tackiness of their environment to a new VD-encrusted low. The union of such an unsavory cast of characters could only result in a wildly over-the-top rock & roll album, and while it may not have been as successful as their latest efforts, this eponymous debut rocked with a bile and fury not seen since Mötley Crüe's Shout at the Devil. Sh*t-kicking anthems like "No Mercy," "Sex Action," "One More Reason," and the marvelous "Bitch Is Back" slap the listener silly while still making room for slightly more commercial but equally hot offerings such as "Electric Gypsy" and "Down in the City".

Revered violin player and vocalist L. Shankar proudly presents his newest album featuring a host of groundbreaking artists! Includes guest performances by Korn’s Jonathan Davis, Tony Levin, Scott Page of Supertramp & Pink Floyd, Jane’s Addiction drummer Stephen Perkins, Norwood Fisher of Fishbone, and others!

Bruckner's early string quartet is more a composition exercise than a full-fledged work of art, but the quintet is something else entirely: a chamber music masterpiece to rank with the great symphonies in expressive intensity and sheer musical grandeur. Indeed, there are a few places where Bruckner seems to demand an almost orchestral volume of tone, and the slow movement has been successful performed (and recorded) by a full string orchestra. The Intermezzo is none other than an alternative scherzo for the quintet, composed because the original players at the premier found Bruckner's first thoughts too difficult. Well, the members of L'Archibudelli certainly don't find the music too difficult–you won't find better performances anywhere.

Dizzy Gillespie - The Verve/Philips Dizzy Gillespie Small Group Sessions (1954-1964) {7CD Box Set Mosaic MCD7-234 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.25 Gb | MP3 @320 -> 1.20 Gb
Full Artwork @ 300 dpi (jpg) -> 117 Mb | 5% repair rar
© 1954-64, 2006 Verve / Philips / Mosaic Records | MCD7-234
Jazz / Bop / Afro-Cuban Jazz / Trumpet

These sessions document unequivocally why Dizzy Gillespie is still considered one of the greatest improvisers in the history of jazz, for his mastery of the instrument, his command of time, his control over musical ideas, and his ability to entertain. He was blessed during this period, which spans 1954 to 1963, with stellar sidemen, unparalleled arrangements, and a surge of excitement for making music.