Excelling at the art of blues balladry demands that a musician possess great feeling but also great control. No surprise then, that one of its greatest practitioners, Nancy Wilson, has both traits in abundance. Save Your Love for Me: Nancy Wilson Sings the Great Blues Ballads is one in a loose series of three Capitol compilations to compile her late-'50s and early-'60s prime, the others focusing on the Great American Songbook and the torch song.
Diva Nancy Wilson was among contemporary music's most stylish and sultry vocalists; while often crossing over into the pop and R&B markets – and even hosting her own television variety program – she remained best known as a jazz performer, renowned for her work alongside figures including Cannonball Adderley and George Shearing.
Nancy Wilson's not the first name in bluesy jazz (check out Dinah Washington and Joe Williams for that), but she usually can enliven the form with her sophisticated and sultry style. That's made clear on her rendition of "Stormy Monday Blues," where she eschews blues clichés in favor of a husky airiness, at once referencing a lowdown mood and infusing it with a sense of buoyancy. This split is nicely essayed on Capitol's Blues and Jazz Sessions, as half the tracks ooze with Wilson's cocktail blues tone and the other find the jazz-pop chanteuse in a summery and swinging mood. Ranging from the big band blues of "I've Got Your Number" to the lilting bossa nova "Wave," Wilson handles all the varying dynamics and musical settings with aplomb. Featuring cuts from her '60s prime with the likes of Cannonball Adderley, Oliver Nelson, George Shearing, Gerald Wilson, and a host of top sidemen, this best-of disc offers a fine, off-the-beaten-path overview of Wilson's Capitol heyday.
An excellent collaboration of Nancy Wilson's voice with Cannonball Adderley's alto sax from the early '60s. While this 1961 recording was the first time Wilson was with Adderley in the studio, it was not the first time they had worked together. After singing with Rusty Bryant's band, Wilson had worked with Adderley in Columbus, Ohio. (It was there that Adderley encouraged her to go to N.Y.C. to do some recording, eventually leading to this session.) Not entirely a vocal album, five of the 12 cuts are instrumentals.
With the decline in Heart's popularity in the 1990s, its guitarist/singer/songwriter Nancy Wilson made a first, tentative stab at a solo career by scoring the 1996 film Jerry Maguire and appearing on the soundtrack album. While working on the score, she began turning up at the hootenannies at the folk club McCabes Guitar Shop in Los Angeles, and the result is this album, which represents a second toe in the water for her…
Originally released in December of 1963, Yesterday's Love Songs/Today's Blues was the eighth in a long series of albums Nancy Wilson was to make for Capitol Records over a period of 20 years. During that time, she became one of the label's most artistically and commercially successful artists. The album was also made during the time when major recording companies were turning out sessions featuring black female singers with a gospel and/or blues background, singing standards and pop hits backed by a large orchestra, usually with strings. Columbia Records had Aretha Franklin, Everest used Gloria Lynne, and Capitol, Nancy Wilson. Here, teamed with the Gerald Wilson Orchestra and his arrangements, Wilson wends her way through 17 standards and traditional pop songs with a good balance between ballads and up-tempo numbers…