Naudot

Denmark's Michala Petri has continued to dominate the modest but persistent recorder "scene" despite the emergence of a host of younger recorder players from the ranks of Dutch-trained historical-instrument specialists. Collecting a group of her 1970s and 1980s recordings, as has been done here, is an eminently justifiable enterprise, for it was these recordings whose laserlike intonation, whip-smart ornamentation, and all-around attractiveness that caught the attention of listeners in the first place. Petri uncovered and recorded a good deal of Baroque repertory for the instruments, recording it with the likes of England's Academy of St. Martin-in-the-Fields.

VA - Recorder Sonatas and Concertos - Frans Brüggen
Baroque | APE, Cue | No Log | 1 CD, covers | 346 MB | RS
Teldec 4509-97474-2 | 1995

This is the last CD of the Frans Brüggen Edition. It contains a very rare interpretation of the Concerto in E minor of Telemann with "The Chamber Orchestra of Amsterdam" conducted by André Rieu in 1962.

VA - Frans Brüggen Edition Vol. 1-12
Baroque | Easy CD-DA, APE, Cue | No Log | 12 CD, covers | 3.809 MB | RS
Teldec B000026LQB | 2002

This is a monumental collection of Frans Bruggen performing a variety of pre-baroque, baroque and rococco works for recorder(s). Frans Bruggen put the recorder on the map as a solo instrument, and no one before or since has made such a huge impact. Many recorder players have burst onto the scene since, but I dare to say no one has matched Bruggen's musicality and expressiveness. Unfortunately, this 12-CD set appears to be out-of-print and hard-to-find as used copies as well.

Frans Bruggen - Das Alte Werk (2013) {12CD Set Warner Classics 2564 65836-1}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.80 Gb | MP3 @320 -> 1.86 Gb
Full Artwork @ 300 dpi (png) -> 390 Mb | 5% repair rar
© 2012 Warner Classics / Teldec Classics | 2564 65836-1
Classical / Baroque / Recorder / Flute

This monumental set of recordings, originally on Das Alte Werk LP, collects Frans Bruggen performing a variety of pre-baroque, baroque and rococco works for recorder(s). Frans Bruggen put the recorder on the map as a solo instrument, and no one before or since has made such a huge impact, nor had Bruggen's musicality and expressiveness. Once the world's most famous recorder player, today Frans Brüggen is considered among the foremost experts in the performance of eighteenth century music. He studied the recorder with Kees Otten and flute at the Amsterdam Muzieklyceum. In addition, he took courses in musicology at the University of Amsterdam.