This deluxe three-CD set, including a hardbound, 200-page book, documents the music of a major figure on the European electronic music scene since the '60s, but one who is largely unknown stateside. At its best, which is often, Dick Raaijmakers' work compares favorably to better-known composers such as Iannis Xenakis or Pierre Schaeffer. His pieces range widely, from relatively "traditional" electronic scores to ultra-abstract works like the "Canon" series from the mid-'60s, made up of static-sounding crackles derived from vinyl surface noise and with only arcane relationships to one another.
For nearly two decades, Brazilian-born and Brooklyn-based saxist Ivo Perelman has been evolving his own path of improvised jazz, playing solo, in duos, trios & quartets with a number of downtown's best musicians. One of Ivo's most constant companions is contrabassist Dom Duval who has recorded on perhaps a dozen of Ivo's previous duo & trio CD's. Violinist Rosie Hertlein has also recorded and performed with Ivo on occasion and is yet another local talent who has knocked me out whenever I've heard her play although she remains beneath the radar screen of recognition…
Jan Boerman (born 30 June 1923) has been a composer working in electronic music studios since 1959. He was born in The Hague. The Delft Polytechnic in Utrecht, from which the Institute of Sonology was developed, housed the first electronic music studio in the Netherlands after the Philips laboratory in Eindhoven, which was not generally open to composers.