Necessary Evils

Dunedin Consort continues to apply its pioneering approach to recordings by releasing two alternative performing versions of one of Handel’s greatest dramatic works, Samson. This is the Full Chorus Version.

This is a great example of the "old school" of English oratorio performance. Actually, it's not that "old" because although it uses modern instruments, Raymond Leppard is as fully informed about Baroque performance practice as any period instrument guy. Beyond that, he has a stunning line-up of soloists, lead by Dame Janet Baker, who sing their roles with appropriately operatic fervor.

Harry Christophers and The Sixteen have long been celebrated for their recordings and performances of Handel. Over the past three decades Harry Christophers and his award-winning ensemble have expanded their Handel repertoire to take in his greatest works. They have also made numerous recordings of Handel’s masterpieces and this twelve CD boxed set features a selection of some of their finest discs along with three remarkable solo albums featuring The Sixteen’s celebrated orchestra and acclaimed sopranos Sarah Connolly, Ann Murray and Elin Manahan Thomas.

The performance here of Samson is definitive. It is lively, colourful and highly dramatic. There is no comparison with the tedious performance by the Sixteen on Coro. The performance of the Messiah with limited modern instrumental forces of the English Chamber Orchestra and Chorus with very good soloists doesn't sacrifice grandeur nor does it go to the other extreme of over-blown pomp. It is a very good performamce on modern instruments under the direction of the Baroque music specialist conductor Raymond Leppard.