Recorded at various shows during Neil Young and Bluenote Café's 1988 tour, this superb live set documents one of Neil's most funky and heartfelt periods, featuring 7 unreleased songs - "Soul of a Woman," "Bad News Comes to Town," Ain't it the Truth," "I'm Goin'," "Crime of the Heart," "Doghouse," "Fool for Your Love," - and a searing 19+ minute version of the immortal "Tonight's the Night" at The Pier in New York City. It was a wild night. Neil Young is famous as a man who is going to do what he wants, and he's willing to pounce on a moment's inspiration and run with it if it pleases him. In 1987, Young decided he wanted to set aside rock & roll for a while and play the blues, and that's just what he did. He recruited his longtime musical partners Crazy Horse (Frank Sampedro on keys, Billy Talbot on bass, and Ralph Molina on drums), added a six-piece horn section (led by Steve Lawrence on tenor sax), and called the new band the Bluenotes, hitting the road with the new act in late 1987.
Finally the release of Neil Young's Carnegie Hall 1970. Young has selected this concert he played at New York’s Carnegie Hall on December 4th, 1970 as the inaugural release from his Official Bootleg series. The show rounded off a seminal year for Young who had released the After The Gold Rush record just 3 months earlier in September which followed on from the Déjà Vu album he recorded as part of Crosby, Still, Nash and Young in March of the same year.
Neil Young pulls from his extensive catalog across four nights at The Ford, performing songs he’s rarely played live across his career. Live premieres included "A Dream That Can Last", "Don't Forget Love" and "Love Earth" . Rarities were "Prime Of Life" from the album "Sleeps With Angels", which Neil Young had only recorded three times. "My Heart" , also from "Sleeps With Angels", " Homefires" , which has not been released on official albums, and the rarely played "Burned" from 1966.
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…