After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…
Official Release Series is the name Neil Young has given to the personally approved remasters of his core catalog. The series debuted in 2012 with a four-album box that contained Young's first four albums and continued on with his next four albums: Time Fades Away, On the Beach, Tonight's the Night, and Zuma. This set came out on vinyl in 2014 and on CD in 2017; the latter marked the first-ever CD release of Time Fades Away. Whether they're heard in new vinyl pressings or CDs, the remasters are newly vivid and robust, the best this music has ever been presented, and that's reason enough for hardcore Neil Young fans to purchase these titles again.
Given the quirkiness of Neil Young's recording career, with its frequent cancellations of releases and last-minute rearrangements of material, it is a relief to report that this two-disc compilation is so conventional and so satisfying. A 35-track selection of the best of Young's work between 1966 and 1976, it includes songs performed by Buffalo Springfield, Crosby, Stills, Nash & Young, and the Stills-Young Band, as well as solo work. In addition to five unreleased songs, Decade offers such key tracks as the Springfield's "Mr. Soul," "Broken Arrow," and "I Am a Child"; "Sugar Mountain," a song that had appeared only as a single before; "Cinnamon Girl," "Down by the River," and "Cowgirl in the Sand" from Everybody Knows This Is Nowhere; "Southern Man" and the title track from After the Gold Rush; and "Old Man" and the chart-topping "Heart of Gold" from Harvest. This is the material that built Young's reputation between 1966 and 1972, although he is more idiosyncratic with the later material, including the blockbusters "Like a Hurricane" and "Cortez the Killer" but mixing in more unreleased recordings as the set draws to a close.
Compiled from a series of gigs in September 1973, Roxy: Tonight's the Night Live captures Neil Young & the Santa Monica Flyers just after they recorded the epochal Tonight's the Night. It would be another two years before Tonight's the Night hit the stores, the label sitting on the record because it was too dark and murky. On-stage, these same songs straighten themselves out and, in the process, get a touch lighter. On Tonight's the Night, it often appeared as if Young and his crew learned the songs as they recorded them, but on Roxy, the Santa Monica Flyers have the changes under their belts and are really in the mood to have a good time…
In 1973, Neil Young played the inaugural show at the Los Angeles club, The Roxy. The reissued recording captures a night that turned his famously bracing album into something warmer and vibrant.
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…