After the release of the incredible debut album Sushidelic, Japanese-German outfit The Sushi Club keeps things flowing with the longplayer Neo Sashimi delivered on Elektrolux. By delivering an organic blend of styles reaching from Ambient and Downbeat to Electronic Listening and far east vibes, producer Tomio Tremmel not only manages to meet high expectations - but takes his extraordinary music another step forward.
Rising Force was a revelation upon its release in 1984; Eddie Van Halen had introduced dazzling speed to the realm of rock guitar technique, and the compositions of Randy Rhoads had begun to fuse heavy metal with neo-classical influences, but no one before Yngwie Malmsteen was able to combine those elements with such blinding virtuosity. Malmsteen's innovative guitar style made Rising Force a mandatory primer for '80s metal guitarists, with its classical chord progressions and Malmsteen's use of harmonic minor scales, a wide vibrato imitative of classical violinists, and impossibly fast picking techniques, including the sweep-picked arpeggio (sort of a cross between strumming a chord and picking each note individually).
Ethno-classical project Adiemus was spearheaded by composer/conductor Karl Jenkins, a longtime member of prog-rock innovators the Soft Machine. The concept originated as a piece Jenkins penned for Delta Airlines television commercial, its fusion of ethnic vocals and orchestral backing proving so popular with consumers that a full-length Adiemus album, 1995's Songs of Sanctuary, was created with the aid of vocalist Miriam Stockley and the London Philharmonic Orchestra. The record was a hit on both popular and classical charts.
The concept of the album was to create modern music using classical forms, such as rondo and ternary, and not individual songs. To further the universal aspect of the music, all the vocals are written as vowel and consonants sounds…
Flamborough Head from Holland was formed in 1995 and they took their name after a cliff on the East Coast of England. They are playing modern melodic symphonic neo-progressive rock, and their debut CD is a symphonic masterpiece with long beautiful tracks. The musicians are very tight and their keyboard-based music is reminiscent to bands like Camel, Emerson, Lake & Palmer, Genesis, IQ, Marillion, Pendragon, Pink Floyd.
Completely re-written by the new line up (Hans-Wes-Pete-Tom) in 2012-2014 and recorded mainly in Pete's Mushroomland studio in 2013-2014 and in the famous ACE studio (vocals) , this brand new CD is released on 15 May 2015 on the Freia Music label (THOR 24CD). Mixed by Pete and mastered by Frank van Bogaert ('Dr. ACE' / Fish on Friday) ,a great sound quality is achieved and this new release demonstrates the musical variety and great musicianship of the new line up. Starting May 2015 Neo Prophet will bring the new work also live on stage though 2015-2016…
"Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades."
With a whirlwind of instrumental styles fusing classical, rock, blues, jazz, world music, progressive, as well as the quintessential California musical genre surf music, the California Guitar Trio's stunning virtuosity and sly sense of humor have earned them an enthusiastic following and wide notoriety, with significant crossover in the progressive, acoustic and classical music scenes.