Neon Led

Neon Nights: Crafting a Cyberpunk Bar Scene in Blender 3D

When the dawn of the new millennium brings destruction on Earth by means of the seemingly all-powerful angels, the only hope for the future of the human race lies in Evangelions – bio-engineered crafts created from the Angel's technology. As three pilots gear up for the flight that will find them facing the greatest threat to mankind ever wrought upon the planet, a glimmer of hope remains that the humans will be able to defeat the angels and bring peace and prosperity to a planet torn apart by war with the destructive angels.

Abbie Gardner displays an uncommon versatility on her striking new solo album Wishes on a Neon Sign, her first in nearly seven years and first on her own since taking temporary leave of her longstanding folk ensemble, collectively known as Red Molly. Spawned from time spent in a meditative mode, it’s a thoughtful attempt to reconcile the disparate threads of her present circumstance and to celebrate where life as led her. She calls it a love letter to New York, but there are no obvious paeans in the vein of, say, Frank Sinatra or Billy Joel. Rather, Gardner carefully expresses her sentiments, and the result is an album that’s both introspective and expressive, with the accessibility factor weighing in heavily on each of its entries.