Nesles Blanche

Poulenc's "Dialogues des Carmelites" is arguably the greatest opera written since the end of World War II. It is an affecting, wrenching experience. Poulenc uses the orchestra, especially during the interludes, to propel the opera in a manner that is reminiscent of Debussy's "Pelleas et Melisande" but with much more intense results. The music conveys a sense of doom that palpably grows through the course of the opera leading to its devastating climax. When I first heard the opera on a XM Radio Vox Channel broadcast of a live performance, one of the performers stated ………..

MikelMask @ amazon

The reign of Philippe IV the Fair of France, from the late thirteenth through the early fourteenth centuries, was marked by prosperity and a flourishing of the arts. During Philippe's reign, several important collections of music were copied, including the Montpellier Codex, the Chansonnier Cangé, and the Robertsbridge Codex, which remain the most significant sources of music of the era. The selections from those manuscripts recorded here are delightfully diverse: estampies – perky folk-like dances, polyphonic secular motets, and soulful Trouvère love songs. The music has a rough-hewn quality to it – it was written well before the conventions of western classical music had fallen into place, and it follows a logic that's foreign to modern sensibilities accustomed to music from the Renaissance to the Contemporary periods.

Giacomo Meyerbeer - Meyerbeer on Record, 1899-1913 (2009) {3CD Set EMI-Marston 53009-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 545 Mb | MP3 @320 -> 509 Mb
Full Artwork @ 600 dpi (png) -> 1.08 Gb | 5% repair rar
© 2009 Marston | 53009-2
Classical / Vocal / Opera / Historic Recording

Giacomo Meyerbeer was one of the most important composers in Paris during the mid-1800s. He is considered the founder of the French Grand Opera and his works dominated the French stage. Meyerbeer changed the face of opera in Paris, and yet, much criticism is directed toward him and much of his music is seldom heard today. This 3-CD set is the first of two volumes, which together honor Meyerbeer and reacquaint the listener with his marvelous music and some very interesting singing. These two volumes contain at least one version of every recorded Meyerbeer excerpt sung by French singers.

Love variations: The variant, and its corollary the variation, inseparable from the Middle Ages, have established themselves, particularly since Eloge de la variante (In praise of the variant) by Bernard Cerquiglini and the term of “mouvance” (mobility) inaugurated by Paul Zumthor, as genuine writing processes. Extending them to the musical field sounds quite obvious, and allows us furthermore to apprehend the modes of transmission and circulation of the medieval melodic repertoires.

For a few years, I got to travel with these bands—they included me—a dream come true. I’ve tried to take you on a trip with me and Art and the bands while reliving all of it a little—in writing it, in pictures I took, scenes and conversations I recall. And in the music Art asked me to record. About which I feel absolutely safe in saying it: That’s it. That’s jazz.