Neural Dsp Paralax

Parallel bass processing has been used for decades. Dual rigs or multiple plugins would be configured to distort treble for clarity and aggression, and compress lows for a massive foundation. Encompassing over a decade of experience engineering some of the most devastating bass distortions on the planet, Parallax provides everything you need to design the ultimate bass tone.

Monster 4000 is an essential mixing tool, modelled after the well-known console compressor used as a mixing "glue".
Now with extra saturation. Add more punch, make the record tighter, smooth out the mix - it handles all of that.
External sidechain gives you even more flexibility, while dual-mono feature gives you more control.

Monster 4000 is an essential mixing tool, modelled after the well-known console compressor used as a mixing "glue".
Now with extra saturation. Add more punch, make the record tighter, smooth out the mix - it handles all of that.
External sidechain gives you even more flexibility, while dual-mono feature gives you more control.

Versatile bus compressor, with extra saturation, dual-mono mode, and external sidechain.

Experience a new standard in boutique, handcrafted Laboga amplifier simulations. The legendary Mr. Hector has been entirely rebuilt using our advanced DriveNET Neural Network Modeling engine, meticulously capturing not only the gain structure, tone stack, and speaker cabinet responses but also the subtle interactions between channel volumes and authentic power-amp dynamics relative to preamp settings.

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the 'digital' sound of some equalizers.

A versatile graphical EQ with a wide range of zero latency analogue modelled filters and realtime FFT display. Many digital EQs, including those of some popular Digital Audio Workstations can have an artificially cramped filter response, especially at high frequency settings. This is often cited as a reason for the 'digital' sound of some equalizers.

OverTone DSP Pack 09.11.13 includes OverTone DSP DYN500 v1.0.0 Mac OS X, OverTone DSP DYN500 v1.0.2 Win, OverTone DSP EQ500 v1.0.0 Mac OS X, OverTone DSP EQ500 v1.0.2 Win, OverTone DSP FC70 v1.0.0 Mac OS X, OverTone DSP FC70 v1.0.1 Win, OverTone DSP PTC-2A v1.0.8 Mac OS X, OverTone DSP PTH-2A v1.0.1 Win, OverTone DSP PTH-2A v1.0.1 Mac OS X.

DSP-Quattro, the powerful Audio Editor for Mac OS X. This major new version introduces a lot of important new features and improvements. There is a new graphic Cut Editor which offers the maximum flexibility doing click-free cut&paste of audio waveforms, allowing you to draw x-fades curves by yourself. There is a built-in de-clicker tool for audio restoration, side by side with a new pencil tool to re-draw waveforms by hand, and also a very useful gain tool to manually lower transients by a real-time graphic control. Moreover, new High Quality Time Stretching and Frequency Shifting algorithms are built-in in version 4, there is a new graphic editor for Fade-In/Outs, up to 4 Aux busses to address outputs, user configurable key commands, unlimited number of effx slots to insert plug-ins, a new internal 'plug-in' module to address external audio hardware for external audio processing… and much more.

DSP Trigger is a virtual drum brain that processes the audio output from drum pads and converts it to MIDI to be passed on to a drum sampler. It allows you to enhance an existing e-drum kit, offering new features and functionality that your drum brain doesn't natively support.