Never Stop Dreaming

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Being every bit as enthralling as it is entertaining, Marbin's third release is a genre-defying masterpiece. On the heels of last year's critically-hailed effort, Breaking The Cycle (their second album, and first for MoonJune Records), the group has delivered the sort of album that you just can't stop listening to – like a profound conversation with a stranger in the middle of the night, like falling in love at first sight, or like a great book that you can't seem to put down and you never want to end.

2017 three CD set. One of RPM Records defining releases remains the Dream Babes series, the Brit Girl Sound collections which started in 1994 and ran until 2007 reaching volume 8. The scene for collecting such sounds has only grown bigger and more international since then. Now it is time for RPM's concluding word on the subject of it's own series with this set. 80 tracks, none duplicated from the DB series, many tracks fresh to CD, five tracks previously unreleased. Compiled with much learned, many archive tapes unearthed, and recordings dug from crates since the series last volume. Spanning the full spectrum of the scene, known for it's gratifying diversity, the box set offers slick originals and intriguing covers, from early girls to late girls, beat girls, folk girls, hippy girls and mod girls. Here, you'll also find the brash teeners, the raw belters, the wistful balladeers, the brassy pub singers, the breathy harmonizers and the bluesy shouters. There are Essex girls, lasses from Lancashire, Glasgwegians and hey there Geordie girls, Chelsea debs and daughters of Cardiff and Coventry, Stoke and Southend. The Commonwealth gets a nod too, with Kiwi gals and Caribbean queens. Not forgetting Schoolgirls and secretaries, convent girls and actresses, daughters of diplomats, god-daughters of royalty and stars before they were stars.

2017 three CD set. One of RPM Records defining releases remains the Dream Babes series, the Brit Girl Sound collections which started in 1994 and ran until 2007 reaching volume 8. The scene for collecting such sounds has only grown bigger and more international since then. Now it is time for RPM's concluding word on the subject of it's own series with this set. 80 tracks, none duplicated from the DB series, many tracks fresh to CD, five tracks previously unreleased. Compiled with much learned, many archive tapes unearthed, and recordings dug from crates since the series last volume. Spanning the full spectrum of the scene, known for it's gratifying diversity, the box set offers slick originals and intriguing covers, from early girls to late girls, beat girls, folk girls, hippy girls and mod girls. Here, you'll also find the brash teeners, the raw belters, the wistful balladeers, the brassy pub singers, the breathy harmonizers and the bluesy shouters. There are Essex girls, lasses from Lancashire, Glasgwegians and hey there Geordie girls, Chelsea debs and daughters of Cardiff and Coventry, Stoke and Southend. The Commonwealth gets a nod too, with Kiwi gals and Caribbean queens. Not forgetting Schoolgirls and secretaries, convent girls and actresses, daughters of diplomats, god-daughters of royalty and stars before they were stars.

2017 three CD set. One of RPM Records defining releases remains the Dream Babes series, the Brit Girl Sound collections which started in 1994 and ran until 2007 reaching volume 8. The scene for collecting such sounds has only grown bigger and more international since then. Now it is time for RPM's concluding word on the subject of it's own series with this set. 80 tracks, none duplicated from the DB series, many tracks fresh to CD, five tracks previously unreleased. Compiled with much learned, many archive tapes unearthed, and recordings dug from crates since the series last volume. Spanning the full spectrum of the scene, known for it's gratifying diversity, the box set offers slick originals and intriguing covers, from early girls to late girls, beat girls, folk girls, hippy girls and mod girls. Here, you'll also find the brash teeners, the raw belters, the wistful balladeers, the brassy pub singers, the breathy harmonizers and the bluesy shouters. There are Essex girls, lasses from Lancashire, Glasgwegians and hey there Geordie girls, Chelsea debs and daughters of Cardiff and Coventry, Stoke and Southend. The Commonwealth gets a nod too, with Kiwi gals and Caribbean queens. Not forgetting Schoolgirls and secretaries, convent girls and actresses, daughters of diplomats, god-daughters of royalty and stars before they were stars.