New Music String Quartet

Janácek’s final decade saw an almost unprecedented creative renewal during which he wrote some of his greatest works. Among them were his chamber music masterpieces, the two String Quartets. The first was inspired by Tolstoy’s novella The Kreutzer Sonata, a torrid tale of adultery and murder to which Janácek responded with music of increasingly frenzied passion. The second was subtitled Intimate Letters, a freely evolving work full of yearning and amorous defiance. Originally cast for four violins, the two youthful Sonnets date from 1875 and balance the archaisms of the first with the lyricism of the second.

These six works are Beethoven's last major completed compositions. Extremely complex and largely misunderstood by musicians and audiences of Beethoven's day, the late quartets are now widely considered to be among the greatest musical compositions of all time and have inspired many later composers.

Sony Classical releases Juilliard String Quartet – The Early Columbia Recordings: Sony Classical is excited to present a newly remastered selection in 24bit of the earliest albums of this august American ensemble. Made between 1949 and 1956 in Columbia’s studio on Manhattan’s 30th St., these landmark recordings are mostly new to listeners…

The Danish String Quartet's Grammy-nominated Prism project, linking Bach fugues, Beethoven quartets and works by later masters, receives its fourth installment. The penultimate volume of the series combines Bach's Fugue in G minor from the Well-Tempered Clavier (in the arrangement by Viennese composer Emanuel Aloys Frster) with Beethoven's String Quartet Op. 132 and Felix Mendelssohn's String Quartet No.2 (composed in 1827). As Paul Griffiths observes in the liner notes, these pieces "sound all the more remarkable for the exquisite brilliance and precision of the Danish players".

In his 90th year, Elliott Carter is doing something few nonagenarians ever do: he's premiering a striking new string quartet, his fifth. And it's an awe-inspiring piece. The Arditti String Quartet takes up the short phrases that run with and then against one another with sureness, plucking and scraping and making their bows sing. They then delve into each of the five interludes that interrogate the quartet's six sections and play through the disparate splinters of tone and flushes of midrange color as if they were perfectly logical developments. Which they're not. Carter has again brilliantly scripted a chatter of stringed voices–à la the second quartet–that converse quickly, sometimes mournfully, but never straightforwardly. This complexity of conversation is a constant for Carter, coming sharply to light in "90+" and then in Rohan de Saram and Ursula Oppens's heaving read of the 1948 Sonata for Cello and Piano, as well as in virtually all these pieces. This is a monumental recording, extending the documented work of a lamentably underappreciated American composer.