New Super Man

ILAN ESHKERI notes, “The score for this film captures the profound emotional journey of Christopher Reeve and his family, blending traditional Hollywood scoring with synths and intimate, experimental string techniques. Through themes like 'Super/Man' and 'For A Reason,' the music reflects Reeve's extraordinary strength and his transformation from an actor playing a hero to a real-life symbol of courage and inspiration. It's a powerful musical tribute to the resilience of the human spirit.”

ILAN ESHKERI notes, “The score for this film captures the profound emotional journey of Christopher Reeve and his family, blending traditional Hollywood scoring with synths and intimate, experimental string techniques. Through themes like 'Super/Man' and 'For A Reason,' the music reflects Reeve's extraordinary strength and his transformation from an actor playing a hero to a real-life symbol of courage and inspiration. It's a powerful musical tribute to the resilience of the human spirit.”

"After completing our first tour as a four-piece band in late 1966, Nez perceptively remarked that, 'Pinocchio had become a real little boy.' By the end of March 1967, Pinocchio had actually become quite a cool little dude (if I do say so myself) with the completion of Headquarters, the first studio album that we had been allowed to create entirely amongst ourselves. Monkee music was great music. Terrific songs crafted by gifted writers and produced by skilled producers. But Headquarters will always hold a special place in my heart. I remember the camaraderie, the collaboration, the enthusiasm and the occasional creative angst. And I particularly remember lying on the floor behind my drumkit between takes eating sunflower seeds.” - Micky Dolenz