New Vanguard 228

John Coltrane - Live At The Village Vanguard Again! (1966) {Impulse!-Verve Originals B0015827-2 rel 2011}
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© 1966, 2011 Impulse! / Verve / UMG | Verve Originals Series | B0015827-2 | LP AS-9124
Jazz / Avant-Garde Jazz / Free Jazz / Post Bop / Saxophone

John Coltrane returns to the Village Vanguard – but his sound here is a lot more far-reaching than a few years before! The album's a great counterpart to the first Vanguard session – as it takes all of the bold, soaring energy of that date, and balances it with the newly introspective sound of the later Coltrane years – plus some of the freedoms learned from the Love Supreme era. The group here showcases the new territory explored by Coltrane – with Trane himself on tenor, soprano, and a bit of bass clarinet (echoing earlier Dolphy), plus Pharoah Sanders on additional tenor, Alice Coltrane on piano, Jimmy Garrison on bass, and Rasheid Ali on drums. The album only features 2 long tracks – an incredibly soulful version of "Naima", and a very firey version of "My Favorite Things", but one that begins with a haunting bass solo by Garrison!

Alice Coltrane's landmark Journey to Satchidananda reveals just how far the pianist and widow of John Coltrane had come in the three years after his death. The compositions here are wildly open and droning figures built on whole tones and minor modes. And while it's true that one can definitely hear her late husband's influence on this music, she wouldn't have had it any other way. Pharoah Sanders' playing on the title cut, "Shiva-Loka," and "Isis and Osiris" (which also features the Vishnu Wood on oud and Charlie Haden on bass) is gloriously restrained and melodic. Coltrane's harp playing, too, is an element of tonal expansion as much as it is a modal and melodic device…

Five CD box set containing a quintet of original albums from the Folk/Pop vocalist: Fifth Album, In My Life, Judith, Who Knows Where The Time Goes and Wildflowers.

Despite her Latin heritage, Joan Baez probably wouldn't have been encouraged by her 1960s record label, the New York-based independent Vanguard, to sing an entire album in Spanish. At A&M Records, the Los Angeles firm co-founded by Herb Alpert that she joined in the early '70s, however, it would have been a different story, and it was A&M that released Gracias a la Vida ("Here's to Life") in 1974. Baez demonstrates an affinity for Mexican folk music on such obvious choices as "Cucurrucucu Paloma," but it's no surprise that, a year after the assassination of leading nueva canción folksinger Victor Jara in a military coup in Chile, an atrocity that shocked the American folk community, she has not backed away from her political commitments. There is "Guantanamera," a song that may have been a Top Ten U.S. hit for the Sandpipers in 1966…

The machine learning system for Blossoms was developed through extensive audio training, a process of seeding a software model with a sonic knowledge base of material to learn and predict from. This was supplied from a collection of their existing material as well as 10 hours of improvised recordings using wood, metal and drum skins. This collection of electronic and acoustic sounds formed unexpected outcomes as the system sought out coherence from within this vastly diverse source material, attempting to form a logic from within the contradictions of the sonic data set. The system demonstrates obscure mechanisms of relational reasoning and pattern recognition, finding correlations and connections between seemingly unrelated sounds and manifesting an emergent non-human musicality.