Nick Cave no More Shall we Part

No More Shall We Part ended a four-year recorded silence from Nick Cave & the Bad Seeds. No new material had appeared since 1997's landmark, The Boatman's Call. With that record Cave had finally delivered an entire album of deeply tragic and beautiful love songs without irony, sarcasm, or violence…

In April 2013, Nick Cave & the Bad Seeds were booked to play the Coachella Valley Music and Arts Festival, and with the same lineup of acts appearing two consecutive weekends, Cave and his bandmates had a few days to kill in California. During their downtime in the Golden State, Cave and the Bad Seeds cut a live-in-the-studio session for Santa Monica's public radio station KCRW-FM, and the recordings have been released under the straightforward (if less than imaginative) title Live from KCRW. Given that Cave's Push the Sky Away had been released just two months earlier, it should come as no surprise that the KCRW set followed the soulful but understated tone of that album, and the two releases share four songs, but in many respects, this is a richer and more emotionally engaging experience, and nearly as precise…

When Blixa Bargeld left Nick Cave's Bad Seeds, who would have predicted his departure would result in one of the finest offerings in the band's catalog? Abbatoir Blues/The Lyre of Orpheus is a double CD or, rather, two completely different albums packaged in one very handsome box with a stylish lyric booklet and subtly colored pastel sleeves. They were recorded in a total of 16 days by producer Nick Launay (Kate Bush, Midnight Oil, Girls Against Boys, Silverchair, INXS, Virgin Prunes, et al.). Abbatoir Blues, the first disc in the set (packaged in pink, of course), is a rock & roll record. Yeah, the same guy who released the Boatman's Call, No More Shall We Part, and Nocturama albums has turned in a pathos-drenched, volume-cranked rocker, full of crunch, punishment – and taste.

The Flaming Lips have announced Where The Viaduct Looms, an album of Nick Cave covers sung by the 14-year-old musician Nell Smith. A fan who first met Wayne Coyne while attending a Flaming Lips show with her family in 2018, Smith stayed in contact as she started learning guitar and writing her own songs. When a planned trip to record with the band in Oklahoma had to be cancelled due to COVID, Coyne suggested that they collaborate remotely.