Nick Cave

Nick Cave & The Bad Seeds Formed after the breakup of the Birthday Party in 1983, Nick Cave & the Bad Seeds are one of the most original and celebrated bands to come out of of the post-punk era, and have continued to make dramatic and challenging music in the decades since. Playing music that mesh with the dark, multi-layered narratives of Cave's lyrics, the Bad Seeds create sounds that are physically and emotionally powerful, imbued with a sense of dynamics and drama that set them apart from their peers. The Bad Seeds' sound evolved steadily over the years along with the lyrical outlook of their leader, from the Birthday Party-influenced chaos of 1984's From Her to Eternity and the blues-flavored minimalism of 1985's The Firstborn Is Dead, through the eloquent, gothic post-punk of 1988's Tender Prey and 1994's Let Love In to the relative warmth and humanity of 1997's The Boatman's Call, the spare but emotionally overpowering soundscapes of 2016's Skeleton Tree and 2019's Ghosteen, and the thoughtful joy of 2024's Wild God. While plenty of musicians would move in and out of the Bad Seeds' lineup over the years, they were always a musical force as powerful as their leader.

Nick Cave & The Bad Seeds Formed after the breakup of the Birthday Party in 1983, Nick Cave & the Bad Seeds are one of the most original and celebrated bands to come out of of the post-punk era, and have continued to make dramatic and challenging music in the decades since. Playing music that mesh with the dark, multi-layered narratives of Cave's lyrics, the Bad Seeds create sounds that are physically and emotionally powerful, imbued with a sense of dynamics and drama that set them apart from their peers. The Bad Seeds' sound evolved steadily over the years along with the lyrical outlook of their leader, from the Birthday Party-influenced chaos of 1984's From Her to Eternity and the blues-flavored minimalism of 1985's The Firstborn Is Dead, through the eloquent, gothic post-punk of 1988's Tender Prey and 1994's Let Love In to the relative warmth and humanity of 1997's The Boatman's Call, the spare but emotionally overpowering soundscapes of 2016's Skeleton Tree and 2019's Ghosteen, and the thoughtful joy of 2024's Wild God. While plenty of musicians would move in and out of the Bad Seeds' lineup over the years, they were always a musical force as powerful as their leader.

No More Shall We Part is the eleventh studio album by Nick Cave and the Bad Seeds, released on 2 April 2001 in the UK (and 10 April in the US). The album came after a 4-year gap from recording, following the much acclaimed album The Boatman's Call. Cave had to overcome heavy heroin and alcohol addictions in 1999-2000 before starting work on the album. It was met with mostly positive reviews. This is Limited Edition with Two Bonus Tracks and a Cdrom with Exclusive Footage of the Band. The Bonus Tracks Are 'bless his Ever Loving Heart' and 'grief Came Riding'.

Nick Cave and the Bad Seeds are an Australian rock band formed in Melbourne in 1983 by vocalist Nick Cave, multi-instrumentalist Mick Harvey and guitarist-vocalist Blixa Bargeld. The band has featured international personnel throughout its career and presently consists of Cave, violinist and multi-instrumentalist Warren Ellis, bassist Martyn P. Casey (all from Australia), guitarist George Vjestica (United Kingdom), keyboardist/percussionist Toby Dammit (United States) and drummers Thomas Wydler (Switzerland) and Jim Sclavunos (United States). With their "brutal blues and gothic nightmares" songs, Nick Cave and the Bad Seeds have been considered "one of the most original and celebrated bands of the post-punk and alternative rock eras in the '80s and onward". They have released seventeen studio albums and completed numerous international tours.

Dig, Lazarus, Dig!!! is the fourteenth studio album by Australian alternative rock band Nick Cave and the Bad Seeds. The album was recorded in June and July 2007 at The State of the Ark Studios in Richmond, London and mixed by Nick Launay at British Grove Studios in Chiswick, and was released on 3 March 2008.It would also be the last album to feature founding member Mick Harvey, who left the Bad Seeds in 2009, and the second without founding member Blixa Bargeld. Dig features the same personnel as the Abattoir Blues/The Lyre of Orpheus double album. It is also the first to be released since the Bad Seeds side project Grinderman released their eponymous album. In several interviews Cave has stated that this album would "sound like Grinderman", implying a garage rock sound. In line with this rough-and-ready approach, the album was recorded in about five days, an uncommonly short period for a full-length album.

Live Seeds is the first official live album by Nick Cave and the Bad Seeds. The album was recorded live from 1992 to 1993, at various concerts throughout Europe and Australia, at the touring stage promoting their previous studio album, Henry's Dream. Nick Cave wanted to give the songs a raw feeling as originally intended before production problems occurred. Live Seeds includes a not previously studio-recorded track, "Plain Gold Ring", which is a cover of a song performed by Nina Simone.

Wild God is the upcoming 18th studio album by the Australian rock band Nick Cave and the Bad Seeds, set to be released on 30 August 2024 through PIAS. It marks their first studio album in five years, following Ghosteen (2019).

Wild God is the upcoming 18th studio album by the Australian rock band Nick Cave and the Bad Seeds, set to be released on 30 August 2024 through PIAS. It marks their first studio album in five years, following Ghosteen (2019).