Nickelback is a Canadian rock band from Hanna, Alberta, formed in 1995 by Chad Kroeger, Mike Kroeger, Ryan Peake and then-drummer Brandon Kroeger. While largely a rock band, the group has also experimented with various other musical styles such as pop and country, aside from their hard rock and post-grunge base. Nickelback is one of the most commercially successful Canadian groups, having sold 30 million records worldwide. Nickelback ranks as the 11th best selling music act of the 2000s, and is the 2nd best selling foreign act in the US behind The Beatles for the 2000s.
The band is based in Vancouver, British Columbia, Canada. Its name originates from the nickel in change that band member Mike Kroeger gave customers at his job at Starbucks; he would frequently say, "Here's your nickel back."
The Best of Nickelback Volume 1 is the first greatest hits album by Canadian rock band Nickelback. It was released on November 4, 2013 through Roadrunner Records (internationally) and Universal Music Canada (in Canada) to coincide with their October–November 2013 "The Hits Tour". Though frontman Chad Kroeger had previously stated in an interview that their upcoming greatest hits album would include new songs as well as previous hits, the final track listing contains only previously released material. The compilation features singles released from all but the band's first two albums; namely Silver Side Up (2001), The Long Road (2003), All the Right Reasons (2005), Dark Horse (2008), and Here and Now (2011).
Left to their own devices on Here and Now, Nickelback have done the unthinkable: they’ve embraced who they are. Chad Kroeger’s brow is no longer furrowed, treating rock & roll as an ordeal; he’s stepped back a bit, allowing himself to have a good time. This doesn’t quite mean he’s left his misogyny behind – it lingers, infecting otherwise innocuous songs – but it does mean that Nickelback no longer rely solely on heavy-footed power chords set to lumbering rhythms. True, this signature sound still underpins much of Here and Now, but the group is now loose enough to throw in a disco-rock thumper (“Kiss It Goodbye,” another in a long line of anti-Hollywood, anti-plasticity anthems destined to be staples in Hollywood strip clubs) and even dabbles in a bit of power pop on “When We Stand Together,” giving it an actual swing, something unheard on previous Nickelback albums, and this isn’t an isolated incident. “Gotta Get Me Some” abandons the brutal four-on-the-floor Nickelback signature in favor of an actual groove and the group even sounds nimble on its power ballads.
Forget the album cover, which looks like homemade artwork on a CD handed out by a desperate artist patrolling the boardwalks in Venice Beach. Get Rollin' continues the back-to-basics approach Nickelback started with 2017's Feed the Machine, stripping away anything that doesn't contribute to their heavy-footed wallop. All power chords and thick backbeats, traits that are still evident in the power ballads, Get Rollin' hardly sounds modern but Nickelback have been around the block enough times to not even attempt to hide their advancing age: they not only indulge in wistful nostalgia for "Those Days," they call one of their songs "Skinny Little Missy" as if they were grandpas.