Night of The Tentacles

Trees Of Eternity (1994-2000) is the new 7 remastered Discs, 72-page Hardback Book containing 6 studio albums and the never-before-released Live at Fillmore, 1998. Beginning with Arborescence, which hit number 18 in the UK albums chart, we set off on a journey through the Ozrics' impressive catalogue. The band had gone through some line up changes during this period, leading to an exciting new chapter in their story. Become the Other, Curious Corn, Spice Doubt, Waterfall Cities and The Hidden Step showcase the band at their most inventive, with new ideas aplenty, all found here remastered by band leader Ed Wynne. However, the true standout of the set is the inclusion of the legendary Fillmore, San Francisco show of 1998, also mastered by Ed Wynne and remixed specially for this set…

Djam Karet is an all instrumental progressive rock, proto-jam band. As evidenced by their sizable catalog of recordings, whose varied sounds and compositions owe to early prog bands such as King Crimson, Soft Machine, and Pink Floyd, and jam rockers the Grateful Dead, they also hold several traits in common with peer explorers Porcupine Tree and Ozric Tentacles. Founded in 1984 in the Los Angeles area, the group's "trademark" sound is characterized by a shapeshifting meld of blistering guitar solos, ambient and atmospheric sonic passages, organic and electronic drums, and prodigious use of old-school prog rock keyboards alongside postmodern sampling technologies.

Djam Karet is an all instrumental progressive rock, proto-jam band. As evidenced by their sizable catalog of recordings, whose varied sounds and compositions owe to early prog bands such as King Crimson, Soft Machine, and Pink Floyd, and jam rockers the Grateful Dead, they also hold several traits in common with peer explorers Porcupine Tree and Ozric Tentacles. Founded in 1984 in the Los Angeles area, the group's "trademark" sound is characterized by a shapeshifting meld of blistering guitar solos, ambient and atmospheric sonic passages, organic and electronic drums, and prodigious use of old-school prog rock keyboards alongside postmodern sampling technologies.